There have been some incredible musicians in my brief lifetime. I grew up listening to the clock radio in my grandmothers house. One of my favorite things to do was to listen to Casey Kasem’s American Top 40 broadcast every weekend. I knew every artist, every song and even the little anecdotes in the form of letters from listeners. I discovered many of the artists who would become my favorites by listening to the show artists like Stevie Wonder, The Carpenters, Al Green, Gladys Knight and The Pips and more! I was also introduced to entire genres of music from pop and rock to country and of course disco.
Disco was hypnotic and original. It was over the top, but grounded in sound musicianship and talented often virtuoso playing and production. It was also rooted in R&B and gospel and was essentially “black music.” One of the biggest stars the genre created was a gender bending vocalist from LA name Sylvester. As a child I thought he was woman and didn’t fully realize the nature of his existence until I was an adult. None of that matter to me because his music was soulful, joyful and struck me as an honest declaration of the joy of being alive. Many artists and entertainers have followed in Sylvster’s gender bending foot steps, but no one has ever touched his grace under fire and heavenly vocals. Backed by Two Tons of Fun Martha Wash and Izora Rhodes, Sylvester created music that will last forever. Suspend your judgment and issues (if you have any…) and simply enjoy his God given gift.
Sadly disco was buried in the musical graveyard after what many feel was the racially motivated “disco sucks” backlash against the music kicked in. I was to young to remember the mood or judge the intent of the backlash, but I do know that the memories will last forever and the spirit of disco is alive and well in pop music today. Check out this bio and the attached videos.
Sylvester James was born in Los Angeles, California into a middle-class family, and was raised by his mother and stepfather, Letha and Robert Hurd. Many of the facts of his early life are uncertain, and birth dates from 1944 to 1948 have surfaced. One thing is certain though, Sylvester was a child gospel star.
Encouraged to sing by his grandmother, the 1920s and 1930s jazz singer Julia Morgan, James’ talent first surfaced at the Palm Lane Church of God in Christ in South Los Angeles, and soon he was making the rounds and stirring up audiences at churches around Southern California and beyond, sometimes billed as the “child wonder of gospel.”
Sylvester’s home life disintegrated when he was a teenager. He clashed with his mother and stepfather, finally running away from home at age 16. For several years he lived on and around the streets of Los Angeles, but managed to finish high school and enroll at Lamert Beauty College. James moved to San Francisco in 1967 and by his own account, his life began at that time.
“ My life started when I moved to San Francisco. ”
In San Francisco, Sylvester performed in a musical production called Women of the Blues, then joined a short-lived group of transvestite performance artists called The Cockettes in the early 1970s, his repertoire of Bessie Smith songs in tow. After leaving The Cockettes, Sylvester performed in San Francisco a number of different times as a solo act. One of his most famed shows, entitled Jungle Sin which reprised Sylvester’s greatest Cockette solo songs, took place at the San Francisco supper club Bimbo’s and was produced by the rock impresario David Ferguson in 1972. That same year, Sylvester performed at The Temple in San Francisco with the then-unknown Pointer Sisters which was also produced by Ferguson. Sylvester can be seen in the Cockettes’ outrageous short film Tricia’s Wedding, lampooning the wedding of President Nixon’s daughter Tricia, and in an eponymous 2002 documentary about the group (which at one time included Divine).
In 1972, Sylvester supplied two cuts to Lights Out San Francisco, an album compiled by the KSAN radio station and released on the Blue Thumb label. In 1973, Sylvester & his Hot Band released two rock-oriented albums on Blue Thumb (their self-titled debut was also known as “Scratch My Flower,” due to a gardenia-shaped scratch-and-sniff sticker adhered to the cover). In 1974, Sylvester met Horus Jack Tolsen (Keyboards) together with Sylvester’s drummer Amadeo Barrios (drums) and Brother Adrian Barrios (Bass) formed a trio which backed up Sylvester at a nightclub in San Francisco called Cabaret – After Dark. Shortly after Horus was fired, Amadeo brought in new players, Archie White (Keyboards), Angel Reyes (Guitar), Background vocalist Bianca Thorton, Gerry Kirby and another vocalist named Debbie. This took Sylvester into a new musical direction. The band unofficially called themselves The Four A’s and had finally thrown in the towel after several attempts to get signed by a major label. In 1975 The Brother’s Barrios gave it one last shot before joining The Lenny Willians Band.
Sylvester signed a solo deal to Fantasy Records in 1977, working with the production talents of legendary Motown producer Harvey Fuqua, who produced his album Stars in 1979. Sylvester later alleged that Fuqua cheated him out of millions of dollars. Sylvester soon met his frequent collaborator Patrick Cowley. Cowley’s synthesizer and Sylvester’s voice proved to be a magical combination, and pushed Sylvester’s sound in an increasingly dance-oriented direction; his second solo album, Step II (1978), unleashed two disco classics: “You Make Me Feel (Mighty Real),” and “Dance (Disco Heat)”. These two songs charted together on the American dance chart and spent six weeks at #1 on this chart in August and September of 1978. By this time both his live shows and recordings also recognizably featured the back-up vocals of Two Tons O’ Fun: future Weather Girls Martha Wash and Izora Rhodes. 1979 brought three Billboard awards and an appearance in the movie, The Rose, starring Bette Midler.
Moving to Megatone Records in 1982, Sylvester quickly landed a Hi-NRG classic with “Do You Wanna Funk”, which was featured in the 1983 film Trading Places. He was close friends with other Megatone artists Linda Imperial and Jeanie Tracy. Sylvester was also very close to Patti LaBelle and Sarah Dash for whom he recorded background vocals for her dance hit “Lucky Tonight”.
Later pressure from the label to “butch up” his image would result in him attending meetings in full-on drag. A drag photo shoot, which he staged and presented to label heads as a gag (calling it his “new album cover”) would later grace the cover of Immortal after Sylvester died; it was the label’s way of paying tribute to his spirit. In 1985, one of his dreams came true as he was summoned to sing back-up for Aretha Franklin on her Who’s Zoomin’ Who? comeback album. His sole Warner Bros. Records album was Mutual Attraction in 1986; a single from the album, “Someone Like You”, became Sylvester’s second #1 hit on the US dance chart and featured original cover art by Keith Haring.
Sylvester died of complications from AIDS in San Francisco on December 16, 1988. He was 40 years old. His good friend Jeanie Tracy took care of Sylvester during his last days.
On September 20, 2004 Sylvester’s anthem record, You Make Me Feel (Mighty Real), was inducted into the Dance Music Hall of Fame. A year later, on September 19, 2005, Sylvester himself was inducted into the Dance Music Hall of Fame for his achievement as an artist.