| ||||||
April 30, 2010
Winfred Rembert: Memories of My Youth at Adelson Galleries in NYC
Winfred Rembert: Memories of My Youth
In a special event, Adelson Galleries and Peter Tillou Works of Art will present the paintings of Winfred Rembert next spring. This exhibition, taking place April 7-May 28, 2010, will be Rembert's first major
solo exhibition in New York. A fully-illustrated color catalogue with an essay by Jock Reynolds and special events will accompany the show.
A self-taught artist, Rembert grew up working in the cotton fields of Cuthbert, Georgia, in the 1950's. He was arrested after a 1960's civil rights march and survived a near-lynching before serving seven years in jail. It was in jail, creating wallets next to another inmate, that he first learned to hand-tool leather. Years later, at the suggestion of his wife, Rembert integrated storytelling and the tales of his youth into tableaux on sheets of tanned leather. He soon attracted the attention and support of Jock Reynolds, Director of the Yale University Art Gallery, who exhibited his work next to that of renowned African-American artist and educator Hale Woodruff.
Rembert often begins his pictures with drawings to work out detailed patterns. When the stories are carved and tooled into the leather, his images take on texture and depth, and finally he paints the surfaces in vivid dyes. The surface of the piece becomes an important aspect of the composition. The final images offer a flamboyant narrative of life in the still-segregated South of the mid-twentieth century.
Rembert draws heavily from his own experience, populating his paintings with pool sharks, reverends,
midwives and chain gangs—all of which come to life with the richness and vitality of oral tradition. The scenes range from cotton fields to night life. Each is as finely detailed as it is emotionally powerful.
Cotton Rows is a spiritual image. Rembert's vibrating patterns, a consistent theme in his work, undulate in this picture. They flow like music. The workers' arms are raised toward the heavens. Each is bowed in gentle curves that resonate across the painting. Floating cotton balls give the image a mosaic quality. Note the large bags slung over each of the pickers' shoulders, dragging behind with the fresh-picked cotton. The strong color palette and graceful characters convey a beauty that belies the brutal labor taking place.
In Jazz Dancing, we feel the pulsing heartbeats, breathless swinging and strutting feet of exuberant dancers. Jamming, soulful music exudes from the band: we can hear it. Pleasure radiates from the girls in dresses: we share it. Storylines and recurring characters appear throughout Rembert's body of work. You know these are his stories; he was there and he remembers these powerful experiences as if they were yesterday.
Peter Tillou Works of Art in Litchfield, CT, specializes in 17th- and 18th-century American and European
furniture, antique carpets, American folk art, arms and armor, early African sculpture, Pre-Columbian art, European Old Master paintings and sculpture. Peter first met Winfred Rembert seven years ago at a school in Waterbury, CT, and was immediately drawn to the person behind the stories. Over the ensuing years, Peter has remained committed to supporting Winfred and his family and dedicated to getting Rembert's works of art out to public and private collections.
For over 40 years, Adelson Galleries has handled some of the finest American paintings to come to market, placing works in major private collections as well as leading public institutions. Distinguished for its expertise in the fields of American Impressionism, Realism and Modernism, the gallery was founded in 1964 by Warren Adelson in Boston, and is located today in a turn-of-the-century townhouse on New York's Upper East Side.
In addition to sponsoring both the John Singer Sargent and Mary Cassatt catalogue raisonné projects, the gallery regularly handles works by leading 19th- and 20th-century American artists. The gallery also exhibits works by selected contemporary artists, Andrew and Jamie Wyeth, among others. Recent Adelson Galleries exhibitions have included Andrew Wyeth: Helga on Paper; Sargent's Venice; Frederic Edwin Church: Romantic Landscapes and Seascapes; Jamie Wyeth: Seven Deadly Sins; Mary Cassatt: Prints and Drawings from the Collection of Ambroise Vollard; and Stephen Scott Young: New Works.
About the artist
Winfred Rembert (b. 1945)
A native of Cuthbert, Georgia, Winfred Rembert spent his childhood as a fieldworker in the pre-civil rights South. Brought up by his great-aunt ("Mama"), Rembert paints stories that look back to his youth in the days of segregation. Despite the often grim working conditions he encountered (not to mention a near-lynching and years spent on a prison chain gang), Rembert's works focus on the joyous aspects of black life in the 1950s South — the strong family and community bonds, the cultural vibrancy, and the many colorful characters that lifted the spirits of those who had little choice but to labor in the region's cotton and peanut fields.
Marked by tactile surfaces, saturated colors, and lively, rhythmic patterning, Rembert's works are painted on leather sheets that he hand tools and then dyes. These energetic compositions — with their engaging narratives of life in the rural South — have brought Rembert comparisons to noted African-American artists Hale Woodruff, Jacob Lawrence, Horace Pippin, and Romare Bearden. Rembert, who is self-taught, lives and works in New Haven, Connecticut. His paintings are represented in a number of important public and private collections, and were the subject of a major exhibition at the Yale University Art Gallery in 2000.
About the Gallery
For over 40 years, Adelson Galleries has handled some of the finest American paintings to come to market, placing works in major private collections as well as leading public institutions. Distinguished for its expertise in the fields of American Impressionism, Realism and Modernism, the gallery was founded in 1964 by Warren Adelson in Boston, and is located today in a turn-of-the-century townhouse on New York's Upper East Side.
In addition to sponsoring both the John Singer Sargent and Mary Cassatt catalogue raisonné projects, the gallery regularly handles works by leading 19th- and 20th-century American artists, including George Bellows, Frank Benson, Mary Cassatt, William Merritt Chase, Thomas Wilmer Dewing, Thomas Eakins, Marsden Hartley, Childe Hassam, Robert Henri, Winslow Homer, Edward Hopper, Eastman Johnson, John Marin, Georgia O'Keeffe, Maurice Prendergast, John Singer Sargent, Edmund Tarbell, Andrew and Jamie Wyeth, among others. The gallery also exhibits works by selected contemporary artists. Recent Adelson Galleries exhibitions have included Andrew Wyeth: Helga on Paper; Sargent's Venice; Frederic Edwin Church: Romantic Landscapes and Seascapes; Jamie Wyeth: Seven Deadly Sins and Recent Work; and Mary Cassatt: Prints and Drawings from the Collection of Ambroise Vollard.
19 EAST 82ND STREET
NEW YORK, NY 10028
TEL. (212) 439-6800
MONDAY THROUGH FRIDAY
FROM 9:30 - 5:30
OPEN SATURDAYS THROUGH MAY 22ND
FROM 10:00 - 5:00
For more info on me visit my official website
www.rickyday.net
April 29, 2010
Laurent Guérin at Galerie Orange in Montreal
Galerie Orange is pleased to present the recent works by photographer Laurent Guérin.
Four years after the launch of his catalogue and similarly titled exhibition Nipponga ("a view on Japan"), the Montreal-based photographer comes back full force with Samayou ("restless wandering"), a series accomplished from his prolonged travels in Japan over the past three years. From the islands of Okinawa to Tokyo and the most Northern point of the country, Guérin built up a corpus of photographs as type of visual journal. A chronicle of restless wondering where "walking, waiting and searching" are subscribed to the most natural of approaches between the artist and his subjects. Close to fifty photographs will be unveiled, including two mosaics capturing Tokyo by day and night.
His camera celebrates and desecrates at the same time all subjects, shifting with ease from the most serious to the most humoristic. Guérin's photographs are not to be mistaken as a mask eluding reality, but rather an instrument of measure and a sharp extension of his singular vision. Here the artist rejects the grey matter like one would push away categorical conventions in order to get closer to a form of dream-like truthfulness.
Laurent Guérin does not wish to dominate what he sees, neither does he want to surrender to it. Without any pre-established method, his photographs juxtapose the raw and poetic form, like the automatic gesture found in painting. Centered around the theme of liberty, these photographs are underlined by the influences in Japanese photography of the 1950s and 1960s, inspiring the artist through his pilgrimage amongst the Japanese land and its inhabitants.
_
Information : Annie Lafleur - (514) 396-6670.
Galerie Orange, 81 rue St-Paul Est (coin/corner St-Gabriel), Montréal.
Métro Champ-de-mars.
For more info on me visit my official website
www.rickyday.net
CHANEL no 5 - Audrey Tautou Version HQ
I'm falling in love again with the moving image and commercials and fashion videos feature some of the most beautiful images I've seen on screen. Check this out,
For more info on me visit my official website
www.rickyday.net
April 28, 2010
RYAN HUMPHREY Early American May 8 – June 20, 2010 at DCKT Contemporary in NYC
RYAN HUMPHREY
Early American
May 8 – June 20, 2010
Opening Reception: Friday, May 7, 6-8pm
DCKT Contemporary is pleased to present Early American, RYAN HUMPHREY’s third solo exhibition with the gallery. HUMPHREY explores duality through an altered, customized version of an 18th century American interior. The installation hijacks the format of a formal and affluent interior, infusing it with cast-offs and objects more likely found in a rural garage than an antique shop. Class and taste are called into question and the hierarchy of materials associated with social stratification is discarded.
Take a period room from a museum, filter it through the worlds of car culture, metal and hip hop music and the X Games and you end up with this: hand-painted faux wood paneling, console tables, wing back chairs, chandeliers, rugs, girandole mirrors and candlesticks all made from bottle caps, rubber coatings, broom handles, car rims, pop rivets, license plates and sheet metal.
Tread is a hand-painted and lettered found sign from a Brooklyn “flat fix” storefront transformed into a contemporary “DON’T TREAD ON ME” echo of a flag flown during the American Revolution. A series of bird houses incorporate “firebirds” from late 1970s Pontiac Trans Am muscle cars, symbolic of the mythical phoenix resurrecting itself. Good Gay, a banner with the logo from heavy metal band Judas Priest fused with a gay pride rainbow flag, creates a new symbol which highly alters the traditional meanings of the individual parts.
HUMPHREY lives and works in New York City. He will have a solo exhibition at Kunsthalle Galapagos (Brooklyn, NY) September 15 through November 7, 2010. Previous solo exhibitions include The Galleries at Moore (Moore College of Art and Design, Philadelphia) and the Kemper Museum of Contemporary Art (Kansas City). Group exhibitions include Queens International 4, Queens Museum of Art (NY) and the traveling group exhibition Will Boys be Boys?: Questioning Adolescent Masculinity in Contemporary Art, curated by Shamim M. Momin. He completed the Independent Study Program of the Whitney Museum of American Art, received his MFA from Hunter College in New York and his BFA from Ohio University.
The exhibition will be on view at DCKT Contemporary, 195 Bowery (at Spring Street).
Hours are Tuesday through Sunday, 11am – 6pm.
For more info on me visit my official website
www.rickyday.net
April 27, 2010
Sarah Lutz: Recent Work at Lohin Geduld Gallery New York
Sarah Lutz, Burst, 2009, oil on canvas, 60 x 48 inches
Sarah Lutz: Recent Work
April 29 - June 5, 2010
Opening reception Saturday, May 1, 5 to 7 pm
Lohin Geduld Gallery is proud to present our second exhibition of paintings by New York artist Sarah Lutz.
Sarah Lutz is an artist who thoroughly enjoys the visceral pleasures of oil painting. Her lush, colorful surfaces ooze with rich impasto and translucent shimmering glazes. The sensuality of Lutz’s paint handling puts the viewer in a subjective and participatory position by creating a cornucopia of physical and mental sensations.
What is seen during this synesthetic experience is a phantasmagoria of squiggles, pile-ups, blobs and drips that suggest a primordial hothouse where all manner of cross-pollinations occur. Lutz has cited sources ranging from Venetian chandeliers to the experience of snorkeling as part of her studio discourse, and one can sense the thrill of discovery as she ventures through these opulent and animated realms.
Lutz revels in the technical extremes of her medium, pushing the qualities of the paint to register as palpable metaphor. As her thoughts turn to underwater caverns the paint literally thins to an aqueous state. Other passages focus on piles of donut shapes, slathered on and encrusted like the excessive confections of an overzealous pastry chef. Her color choices of vibrant reds, fleshy pinks, watery blues and biting greens underscore the buoyant sense of discovery and playfulness found in these works. This exhibition finds Sarah Lutz having a great deal of fun. Her formal inventions are equaled only by her vivid imagination.
Sarah Lutz received a BS in Studio Art from Skidmore College and an MFA from American University. She has exhibited her work at the Richmond Art Center at the Loomis Chaffee School, Windsor, CT; 55 Mercer Gallery, New York, NY; The Painting Center, New York, NY; The Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY; The Bromfield Gallery, Boston, MA; DNA Gallery, Provincetown, MA; Brick Walk Books and Fine Art, West Hartford, CT; and Miranda Fine Arts, Port Chester, NY, among others. Her work has been reviewed in the New York Observer, the Boston Globe and the Village Voice.
For more info on me visit my official website
www.rickyday.net
April 26, 2010
Video Flashback Sting: Fragile
Last week I bought tickets to see Sting live at Lincoln Center with The Royal Philharmonic Orchestra later this summer. Of course it started me on a trip down memory lane about all the great songs he's given us over the years both solo and and as lead singer of The Police. Check out these examples of his incredible talent and artistry.
Julie Heffernan: Boy, Oh Boy at P•P•O•W Gallery in New York
Julie Heffernan: Boy, Oh Boy at P•P•O•W Gallery
April 29 – June 5, 2010
Opening Reception
Thursday, April 29, 6-8pm
P•P•O•W is pleased to announce Boy, Oh Boy, our sixth solo exhibition of paintings by Julie Heffernan. Using the male figure for the first time, Heffernan’s new works explore the idea of human progress on both personal and political levels. The figures are an homage to transition and the passing on of wisdom from one generation to the next. The space of the canvas meditates on how we move into new chapters of our lives, both personally and as a planet.
For more info on me visit my official website
www.rickyday.net
April 22, 2010
Stuart Cumberland at Nicholas Robinson Gallery in NYC
Nicholas Robinson Gallery is pleased to present the first New York solo exhibition of British painter, Stuart Cumberland, a continuation of his practice recently articulated in a solo show at the approach in London. Called Fort/Da, (Gone/There in German) and quoted from Freud's Beyond the Pleasure Principle from 1920, the show sought to examine the presence and absence of Freud's game in painterly form.
In similar vein, the paintings in Gone/There assert a clear and strong physical presence through the use of bold, black, quasi-cartoon outlines of figural elements. Blocked areas of these passages are then obscured, palimpsest-like, to allow for a simpler pictorial element to exist on top.
At times this passage shows the ghost marks of the line underneath, and in others a solid color of bravura painterliness takes their place. In both instances, the unequivocal flatness of the surface remains unchallenged, and the overlaid element - the creator of the 'absence' - in turn asserts its own emphatic (ironic) presence.
The works are decidedly homemade, but quote and parody the tropes of mechanical production. For instance, the CMYK palette mimics the composition and extrapolation of colors in digital printing. The immediacy of the painted line uses a drawn schema that is then projected onto the surface and loosely utilized as compositional template (explaining the multiple permutations of the figural idioms from one painting to the next), and the use of benday dots imply silkscreen and/or printing processes, but are in fact executed by means of painting through hand-cut stencils.
Redolent with knowing humor and arch references, Cumberland makes serious paintings that develop the diversity present in modern and contemporary painting. Variously evoking Lichtenstein, Polke, Durham and even Oehlen, Cumberland makes fresh, energetic and sophisticated paintings that slyly use caricature without falling victim to its superficial triteness.
Based in London, Cumberland has exhibited worldwide, was the recipient of a Saatchi Royal College of Art Fellowship, and was most recently exhibited at the prestigious Bloomberg Space in London.
Please contact the gallery for further information: 212.560.9075 / info@nrgallery.com
For more info on me visit my official website
www.rickyday.net
April 21, 2010
Elektra, by Kristen Schiele and The Forest for the Trees, by Clare Grill at Sloan Fine Art in NYC
Sloan Fine Art is pleased to present Elektra, by Kristen Schiele in the front gallery and The Forest for the Trees, by Clare Grill in the project room.
With her new body of work Elektra, Kristen Schiele continues her celebration of strong female characters and deconstruction of architectural settings. Utilizing a variety of techniques including silkscreen, painting and ink transfers, Schiele achieves a disjointed, densely layered effect, creating paintings that are at once timeless, nostalgic, fierce and contemporary. Compositions are cut apart, x-rayed and reassembled. Stages are set and cast with subjects straight from classic pulp novel and fashion magazine covers. As in her inspiration, B movie and classic horror films, the objects, patterns, costumes and characters are mythological, kitsch symbols. The final works are designed and decorated environments in which the “bad girl” clearly holds all the cards - if not a knife.
Kristen Schiele earned her BFA from Indiana University, her MFA from American University and also studied at the Hochschule der Kunste in Berlin. Her work has been exhibited worldwide at CWB Gallery in Berlin, Caren Golden Fine Art in New York, the Portland (Oregon) Institute for Contemporary Art and the Corcoran Museum of Art to name a few. She participated in the Bronx Museum’s Artist in the Marketplace program and has completed residencies at the Provincetown Work Center, the Lower Manhattan Cultural Council and the Lower East Side Printshop. This is Kristen Schiele’s second solo exhibition at Sloan Fine Art. She currently lives and works in Brooklyn.
Through exquisite paint manipulation that includes transparent layering, aggressive sanding and delicate impasto, Clare Grill executes romantic, filmy images that evoke memories of beliefs and stories handed down, held dearly, or sadly lost through the years. Rendered in a color palette that wavers between washed-out and burnt-in, Grill's paintings allude to the confusion, fear, obedience, and anxiety attached to discovering the world we inherit and the histories we are part of. In The Forest for the Trees, Grill encourages the viewer to see what’s familiar in all its complexity.
Clare Grill studied in St. Paul, MN before moving to New York where she earned her MFA from Pratt Institute. She has exhibited at venues including Edward Thorp and Jen Bekman in New York, Rare Device in San Francisco, Roots and Culture in Chicago, the Center on Contemporary Art in Seattle and the Islip Art Museum. She has participated in the Bronx Museum’s Artist in the Marketplace program, the Drawing Center's Viewing Program, Aljira's Emerge Program and the Vermont Studio Center’s residency program. Clare Grill lives and works in Queens.
Sloan Fine Art is located at 128 Rivington Street on the Lower East Side of New York City. Hours are Wednesday to Sunday, noon to 6, and by appointment.
For more info on me visit my official website
www.rickyday.net
Glee is the most interesting show I've watched in a long time
Check out last nights episode "The Power of Madonna"
For more info on me visit my official website
www.rickyday.net
April 20, 2010
The Return of Macy Gray
Last night I went to Webster Hall in NYC to check out the Origins Earth Month concert featuring Macy Gray. Macy looked very cool in an eco-friendly cotton dress and her trademark fro. I enjoyed the performance and the 2 new songs Macy played sounded great and make me very curious about the new CD. I couldn't get any video at the show last night, but here's a new video from Macy for you to check out. Peep it and tell me what you think. If you dig it request it on VH-1 and spread the love to all ya friends.
Looks like Macy's back and ready share her funky urban pop sound with the world once again.
Tod Wizon The Little Darknesses at Nicholas Robinson Gallery
Nicholas Robinson Gallery is pleased to present an exhibition of The Little Darknesses, a suite of nocturnes completed by Wizon in 1996.
Consisting of 14 paintings on panel numbered sequentially, The Little Darknesses are each suggestive of a primordial atmosphere/landscape. Ostensibly abstract and overtly referencing painterly invocations of the sublime, the suite of works both hint at and reflect the artist's preoccupation with Promethean creativity, counter-culture psychedelia, literature and music.
Evoking an aura reminiscent of early nineteenth century romanticism, the resonances of Martin, Blake, Fuseli et al are unmistakable within the suite. Lacking linear or literal narrative the sequence nevertheless suggests a progression or crescendo of sorts, culminating in the painting Mars, rendered solely in Mars black.
These enormously labor intensive works are painted in acrylic, meticulously layered with glazes of diaphanous color.
Jewel-like in their brilliance, the works possess an internal illumination, evoking a hermetic world of mysticism, asceticism and dark beauty, yet also suggesting the tumult of irresistible forces.
Informed by an intensely personal sphere of influences, Wizon's paintings are as much renderings of his own psychological landscape as they are evocations of environments and atmospheres. The works are at once painterly, melodic and lyrical - modest in scale but emotionally baroque.
Wizon has been exhibiting for over 30 years and has shown with some of the world's foremost galleries, including the Willard Gallery, Annina Nosei, Bruno Bischofberger, Daniel Templon and Ramis Barquet. His works have also been widely exhibited in Museums and are included in the permanent collections of the Metropolitan Museum of Art New York and Museum of Contemporary Art, Los Angeles.
Please contact the gallery for further information: 212.560.9075 / info@nrgallery.com
For more info on me visit my official website
www.rickyday.net
Rihanna opens her tour to not so great fan reviews
Rihanna opened her tour in Europe and the reviews are not very good so far. Dutch fans say she seemed moody and it appeared as though she didn't wanna be on stage at all. They also said there wasn't much choreography, only 2 dancers and RiRi barely danced at all. Lastly, they also reported that her seven changes in and out of weird costumes seemed like a rip of Lady Gaga (which is hysterical because she isn't exactly original either if you ask Grace Jones.
I love Rihanna's songs and I hope to see the show and find out for myself. Until then there's YouTube.
1. Mad House
2. Russian Roulette
3. Hard
4. Shut Up And Drive
5. Fire Bomb
6. Disturbia
7. Rockstar 101
8. Rude Boy
9. Hate That I Love You
10. Rehab
11. Unfaithful
12. Stupid In Love
13. Te Amo
14. Photographs
15. Pon De Replay
16. Don't Stop The Music
17. Breakin' Dishes
18. The Glamorous Life (Sheila E. cover)
19. Let Me
20. SOS
21. Take A Bow
Encore:
22. Wait Your Turn
23. Live Your Life
24. Run This Town
25. Umbrella Play Video
April 15, 2010
Estelle sends a shout out to UrbanPopLife and yours truly, check it out
April 13, 2010
Last weekend I attended a great exhibit and art talk at a great gallery called Renaissance Fine Art
Last Sunday I attended an exhibition and artist talk at a great new African-American owned gallery in Harlem called Renaissance Fine Art. RFA's mission is to cultivate emerging collectors, provide stellar gallery representation to well-established and emerging artists, and afford individuals and groups with a quaint neighborly space for business and cultural affairs. I believe the gallery is well on it's way to fulfilling it's stated mission.
Girl Talk: Narratives by Eight Women co-curated by Deborah Willis, photographer, author of the "Posing Beauty in African American Culture from 1890 to the Present," chair of the Department of Photography & Imaging Department at the Tisch School of the Arts, New York University and M. Liz Andrews, performance artist and arts administrator. Girl Talk was a presentation of photographs, paintings, film, jewelry and quilted pieces exploring the themes of imposed identity, beauty, tradition and self-definition. The title of the show is inspired by the song "Girl Talk" by Dakota Staton. "Her rendition of "Girl Talk" reminds us of the importance of women sharing stories and telling histories. The history of women in this nation is comprised of a multitude of stories, struggles and successes." Willis declares.
Through their artistic works, the eight women represented in Girl Talk honor and extend the narratives of many women. "It is a celebration and an opportunity for reflection about those who give and sustain life with their bodies, spirits and voices," says Andrews.
The artists included: Ifetayo Abdus-Salam, a photographer whose work prompts contemplation of the notion of power, sexuality and identity; Micaela Anaya, a painter influenced by Frida Kahlo and Salvador Dali who will feature portrait pieces with a deliberate political; Delphine Fawundu-Buford, a photographer, whose portraits are emblematic of the song Four Women by the iconic Nina Simone; Anna Maria Horsford, better known as a television and film actor, presented jewelry and adornment designs; Letitia Huckaby, a photographer and journalist, uses quilts to create intimate narratives that reflect the cultural history of African Americans;
Melvina Lathan, the first female licensed Boxing Judge in New York and artist who uses fiber to create works whose subjects range from history to contemporary culture; Carla Williams, a writer and photographer who presented portraits capturing images of femininity and
Kathe Sandler, an award winning independent documentary filmmaker who explores race, gender, culture, identity, and history.
About the Gallery
NEW YORK October 16, 2009 - Curtis Jacobs, Founder/President of Renaissance Fine Art, Inc. ("RFA"), located at 2075 Adam Clayton Powell, Jr. Blvd (7th Ave.), New York, New York 10027 is pleased to announce the gallery's official launch.
In a joint effort to contribute to the redevelopment and artistic enrichment of Harlem, Jacobs has invited curator Paula Coleman to join RFA as Director. Jacobs and Coleman are thrilled to have this unique opportunity to participate in Harlem's ever-growing and dynamic cultural life. RFA displays the works of contemporary painters, sculptors, and photographers, specializing in the works of artists from the Diaspora. In support of other artistic expressions, the gallery provides a venue for film screenings, book signings, educational workshops, and seminars. RFA will also be available for rentals, artistic salons, private parties, and business meetings. RFA's mission is to cultivate emerging collectors, provide stellar gallery representation to well-established and emerging artists, and afford individuals and groups with a quaint neighborly space for business and cultural affairs.
Curtiss Jacobs is a current Wall Street executive with a fond appreciation for the visual arts. Jacobs worked for a number of years as a successful commercial photographer, specializing in fashion and beauty developing his skills while working under legendary photographers Richard Avedon and Annie Leibovitz. Jacobs has always been passionate about the unparalleled creativity that emerged during the Harlem Renaissance period, which was the inspiration for the gallery's name.
As the nexus of the famed 1920s Harlem Renaissance -- where countless artists, writers, poets and musicians converged to create a cultural Mecca - RFA Fine Art will offer a local venue for community artists and creative visionaries. The gallery is dedicated to Joseph David Jacobs a talented painter in his own right and Jacobs' father.
Paula Coleman, Director, emerged on the New York art scene in 2001 at the beginning of the gentrification of Harlem. She co-founded the P.C.O.G. Gallery for six years with the renowned sculptor Ousmane Gueye. Coleman has been an Education Consultant for the past four years, teaching curatorial workshops at Community Prep H.S. in Manhattan. In 2009, she added W.L.Bonner Center's cultural program to her portfolio, teaching their first intergenerational art workshop. As a Harlem resident, Coleman stays involved with its cultural life and continues to work and stay committed to local artists and small businesses.
Renaissance Fine Art | 2075 Adam Clayton Powell Jr Blvd, New York, New York, 10027
Hours: Wednesday – Saturday, 11:00 am - 7:00 pm
For more info on me visit my official website
www.rickyday.net
Dawn of a New Era New Paintings by de la Haba at NY Studio Gallery
Dawn of a New Era
New Paintings by de la Haba
Curated by Raúl Zamudio Taylor
April 15 - May 8, 2010
Reception Friday April 16 7-9pm
Gorden Burn: If you got to make a fool of somebody, who would it be?
Damien Hirst: God
de la Haba: Damien Hirst
NY Studio Gallery is pleased to host Dawn of a New Era new work by de la Haba.
This exhibit by a New York born-and-raised bad boy paradoxically riffs on the richest artist in the world and opens on tax day. In response to Damien Hirst’s recent exhibit “The End of An Era”, where the conceptualist master was panned by the press for his technical abilities, multi-media artist and painter’s painter de la Haba has created new and never-before-seen oils depicting spring and renewal, rebirth, procreation, and apocalyptic imagery. The work fills a gap that New York Times critic Roberta Smith recently identified in her article “Post-Minimal to the Max.” “What’s missing,” she states, “is art that seems made by one person out of intense personal necessity, often by hand. A lot but not all of this kind of work is painting, which seems to be becoming the art medium that dare not speak its name where museums are concerned.”
The source imagery for de la Haba’s large scale oils is both the figure, de la Haba himself and his two young sons, and the epic Equus Maximus, made of three life-size taxidermy show-horses in full Vegas dance-hall regalia. Two are gray mares lying upon a broken casino table kicking under a rearing black stallion, all three displaying exaggerated sex organs. This emotionally provoking installation as well as the incarnations that follow are a well concerted bridge between Conceptualism, Eroticism, representation and most importantly perhaps, painting.
About de la Haba
Apart from being an exceptionally skilled painter with a pedagogical lineage that stretches back to the great Neoclassicist Jacques-Louis David, de la Haba is a gambler in more ways than one. Hosting casino nights in his loft where a 14' craps table takes center stage the artist spent more than 10 years at Belmont and Saratoga racetracks handicapping the ponies-and winning, to the point where he became horse owner, stepping into the winner's circle on more than one occasion (hence the horse iconography in his work). Selected solo and group exhibitions by de la Haba include: “Equus Maximus” Jack the Pelican Presents “Queens International 4” Queens Museum, Pool art fair 2010, Gershwin Hotel. Trash Art Museum, Munich. Salzburg arts festival, Austria. Bridge art fair, Miami “Surfboards and Skateboards” World Erotic Art Museum of Art ,.
About Raúl Zamudio Taylor
Raúl Zamudio Taylor is a New–York based independent curator and critic. He was Art Director, Other Gallery, Shanghai; and Director of Exhibitions, White Box, NY. He has curated over 60 exhibitions in the Americas, Asia and Europe. Recent exhibitions include co-curator, 2009 Beijing 798 Biennale, co-curator, 2008 Seoul Media Art Biennale, and artistic director, 2008 Yeosu International Contemporary Art Festival. As a critic, he has authored over 200 texts published in books, encyclopedias, museum and gallery exhibition catalogs, magazines and journals.
For more info on me visit my official website
www.rickyday.net
Barbad Golshiri 'Nothing Is Left to Tell' at Thomas Erben Gallery in New York
Nothing Is Left to Tell
Barbad Golshiri
April 15 - May 15, 2010
Opening Reception: Thursday, April 15, 6-8:30 pm
Thomas Erben Gallery is proud to present the first US solo exhibition of Tehran based conceptual artist Barbad Golshiri (b. 1982). The five pieces in Nothing Is Left to Tell are exemplary of the artist's prolific practice that includes media arts, theater, "Aktion" and critical writing.
Central to his work is the examination of media and their potential to manipulate as well as the arts' plane of the feasible; the impossibility of quitting the possible field of what Golshiri calls "exhibiting". A recurring theme is loop and répétition: "One acts in loop," he remarks, "when one is trapped and the belief in any transcendence and escape is far from hand, that is when one is obliged to do the same thing."
In the video What Has Befallen Us, Barbad? (2002, 26 min.), the artist's long hair is falling unto a lit surface as it's getting cut, the condition set by the newspaper he worked for as an art critic at the time. In what he calls "a Faustian experience; selling not just my soul, but also my body," he is "exhausting [himself] with art." Referencing an earlier short story by his father Houshang Golshiri (a famed Iranian writer), instead of speaking up, he lets the poetic imagery protest silently.
Extending from Jxalq [(dzxælgh) v.t. & i., act of creating a masturpiece] (2006), which was included in Looped and Layered at this gallery last spring, Masturpiece (2006, 12 min.) presents to us a woman, bundled in white and lying on her stomach slowly undulating back and forth. Via voice over and subtitles, a treatise meanders like a dream sequence, conflating the video image with thoughts around Descartes' Meditations and the painting The Stone Operation (1475-1480) by Hieronymus Bosch, depicting the removal of the stone of folly.
A megaphone built into the short end of a protruding v-shaped mirror appears as a multi-pedaled flower in Narcissus Echoes (2009-10), see image above. When drawing close, one witnesses a remorseful confessor - the artist - who has gone through numerous répétitions only to become another descendent, a new echolalic agent of the ideology of the "Sacred System". He speaks within a cluster of "truths", revealed to him under mental and physical abuse in prison. In solitude - where no "alien" thoughts could penetrate - the artist confesses his socio-political, sexual and cultural sins. An ambivalent symbol of authority and spectacular atonement in Narcissus Echoes, the megaphone is liberated in the documented "Aktion" Distribution of the Sacred System (2010) and becomes the mouthpiece of dissent.
Displayed in the project room is Golshiri's First Aplasticist Exhibition (2009) in which he has removed all paintings and papers from Malevich's Last Futurist Exhibition (Petrograd, 1915).
With intellectual confidence, Golshiri embeds a wealth of references - literary, bodily, philosophical, autobiographical, historical, political - into his works entrusting the audience to decipher not only what can be seen in the artist's pieces, but also what has been injected between the proverbial lines. In his home country, Golshiri has acquired a reputation, constantly walking a very fine line between the expectations of an audience for critical commentary and the need to maintain an art practice and livelihood granted by the authorities. He adapts this condition pro-actively and turns it into a conceptual approach that seems free of fear - even playful - and saturated with a deep sense of political urgency as well as humor.
Barbad Golshiri studied painting at The School of Art and Architecture, Azad University, Tehran. He has worked both as media artist and critic. His art has been shown widely in institutions: Goteborg Konstmuseum 2009/2006-07; Saatchi Gallery London, Chelsea Art Museum New York, both 2009; ZKM - Center for Art and Media, Karlsruhe, 2008-09; Jeu de Paume Paris, Barbican Center London, both 2008; Museum für Neue Kunst Freiburg, 2006; Apexart New York, 2005; as well as in galleries: Aaran Gallery Tehran, 2010; Bétonsalon Paris, and Access Artist Run Center Vancouver, both 2008; Azad Art Gallery Tehran, 2008/2007; Apeejay Media Gallery New Delhi, 2005; and in international biennials: First Contemporary Art Biennial of Thessaloniki 2007; Fifth Gyumri International Biennial of Contemporary Art 2006; the Sixth Tehran Contemporary Painting Biennial Tehran Contemporary Museum of Arts, 2003.
Gallery hours: Tue-Sat, 10-6. For further information and visuals, please visit www.thomaserben.com or contact the gallery.
Thomas Erben Gallery
526 West 26th Street, floor 4
New York, NY 10001
212.645.8701
info@thomaserben.com
For more info on me visit my official website
www.rickyday.net
Urban Pop Music Video: Lee Hyori - Chitty Chitty Bang Bang MV
April 08, 2010
Leslie Hewitt: On Beauty, Objects, and Dissonance Curated by Rashida Bumbray March 27–May 10 at The Kitchen
Leslie Hewitt: On Beauty, Objects, and Dissonance
Curated by Rashida Bumbray March 27–May 10 at The Kitchen
This solo exhibition presents the US premiere of Leslie Hewitt's most recent investigations in photography, sculpture, and video installation that explore her long-standing interest in non-linear perspective and early twentieth century notions of double-consciousness. Known for a practice that traffics in a realm between the sculptural and the photographic, and riffs on political, social and personal material in order to expand confining narratives, Hewitt's current proposition evokes similar concerns. Using Claude Brown's Harlem migration text Manchild in the Promised Land (1965), as a point of departure, Hewitt creates visually elegant and thoughtfully composed situational works that question the contemporary moment through the exigencies of time.
Also on view with Hewitt’s exhibition, The Kitchen is pleased to present Louis Cameron’s video Christmas Tree as part of the monthly video series LIFT. In Christmas Tree, he pays homage to the experimental approaches of Stan Brakhage, creating amorphous streams of shifting color taken from an image of a star constellation. Cameron positions light and the illusion of movement as the main concerns of this animation, leaving viewers in a vertically suspended state.
Exhibition Hours: Tues-Fri, 12-6pm; Sat 11-6pm FREE
This exhibition features a new film installation created in collaboration with cinematographer Bradford Young. There will be a discussion between Hewitt and Young, moderated by Rashida Bumbray on Sunday, May 9 at 4:00 P.M. Admission is free.
This exhibition is made possible with generous support from Cristina Enriquez-Bocobo, Debra and Dennis Scholl, and with public funds from the New York City Department of Cultural Affairs and the New York State Council on the Arts, a state agency. Additional support was provided by Deluxe.
For more info on me visit my official website
www.rickyday.net
Skin Fruit: Selections from the Dakis Joannou Collection Curated by Jeff Koons at The New Museum in NYC
Skin Fruit: Selections from the Dakis Joannou Collection
Curated by Jeff Koons
“Skin Fruit: Selections from the Dakis Joannou Collection” is the first exhibition in the United States of the Athens-based Dakis Joannou Collection, renowned as one of the leading collections of contemporary art in the world. This is also the first exhibition curated by artist Jeff Koons, who was invited to organize the show by the New Museum and whose work inspired Joannou to start his collection in 1985.
Including over 100 works by fifty international artists spanning several generations, the exhibition explores the age-old preoccupation with the human body as a vessel and vehicle for experience, a distinctive focus of the collection. Koons’s title “Skin Fruit” alludes to notions of genesis, evolution, original sin, and sexuality. “Skin” and “fruit” evoke the tensions between interior and exterior, between what we see and what we consume. In the exhibition role-playing games and dramas occur: a man will stage a religious ritual; a sculpture literally sings out; white-chocolate monuments tower above visitor’s heads; voracious creatures eat themselves and each other while bodies are buried or frozen.
It is no coincidence that Joannou’s collection developed in the cultural context of Greece, where classical sculpture defined the Western canon of anatomical representation. Artists have arrived at a much more uncertain image of humankind in this new century, a time in which bodies are still admired but also are assaulted by forces of our own making. Joannou’s collection is comprised of more than 1,500 works by 400 contemporary artists, from the most eminent to those just emerging. For “Skin Fruit,” Koons has selected works in many mediums including sculptures, works on paper, paintings, installations, and videos.
The show also marks the premiere of new works such as Charles Ray’s re-envisioned Revolution Counter-Revolution (1990/2010), on view on the fourth floor; a public installation of Jenny Holzer’s Selections from the Survival Series (1984) on the New Museum’s façade; and a special 3-D book commission by Italian artist Roberto Cuoghi available in the bookstore. “Skin Fruit” features only one work by Koons—his One Ball Total Equilibrium Tank (1985)—the first major artwork that Joannou acquired, initiating the collection that would grow to be one of the world’s finest. Within the context of the exhibition this influential object, with its both familiar and mysterious basketball suspended in fluid, becomes a point of origin and of departure.
According to Koons, “When you collect within the time of your own life, you confront your own mortality, and things that you respond to…you enter into the metaphysical aspect of art and art history. The vocabulary is not just linear, it’s like how light bends in time. History bends in time. And a collection bends in time.”
The exhibition is a merging of viewpoints: Dakis Joannou’s keen, critical eye, and Jeff Koons’s obsession with vision, clarity, and transparency. The works on display represent some of the best examples of contemporary art from the past twenty-five years, which Joannou acquired before hierarchies and values had been settled. Koons’s recent paintings are testament to his panoptical gaze: large canvases with superimposed figurative fragments from different original and appropriated images, including commercial photos, stylized details from Courbet paintings, comics, and cartoons. It is the same approach that Koons uses to curate the exhibition; “Skin Fruit” is installed so that most of the work is visible at the same time. For Koons, seeing means seeing everything; within the exhibition, Koons’s hyper-vision translates into an increasingly complex quest to strike a balance between disorder and form, between noise and music.
Catalogue
A full-color catalogue titled Skin Fruit: Selections from the Dakis Joannou Collection accompanies the exhibition, and features Jeff Koons in conversation with the Lisa Phillips, Toby Devan Lewis Director of the New Museum, and an essay by Massimiliano Gioni, New Museum Director of Special Exhibitions. An anthology of essays previously commissioned for Dakis Joannou’s DESTE Foundation publications is also included in the catalogue, with texts by Nicolas Bourriaud, Jeffrey Deitch, Peter Halley, Nancy Spector, and Lynne Tillman. The book includes more than 100 full-color illustrations of works in the exhibition, as well as images of other artworks in the Dakis Joannou Collection. The catalogue is available ($45 / $36 Members) at the New Museum Store or online newmuseumstore.org.
The Imaginary Museum
With the exhibition “Skin Fruit,” the New Museum launches The Imaginary Museum, a new exhibition series that will periodically showcase leading private collections of contemporary art from around the world, providing the opportunity for rarely seen, great works of art to be accessible to a broader public.
About the Dakis Joannou Collection and the DESTE Foundation
Dakis Joannou, a noted philanthropist, arts patron, and New Museum Trustee based in Athens, Greece, has worked closely with artists and curators since 1985 to assemble an unparalleled collection of iconic contemporary works that reflect his distinctive passion and fervor. Focusing on contemporary art from the ’80s to the present, the collection is constantly enriched with works by emerging artists. The collection contains major concentrations of works by some of the most distinguished and influential artists of the late twentieth and the beginning of the twenty-first century. Curated shows from the collection have been presented at the Palais de Tokyo, Paris; Kunsthalle, Vienna; Museum Moderner Kunst Stiftung Ludwig, Vienna; the Macedonian Museum of Contemporary Art, Thessaloniki; and the Nicosia Municipal Arts Center, Cyprus, among other international venues.
“Collecting is, for me, an adventure, a set of different ‘lived’ experiences, a constant flow of meeting, talking, listening, looking. It is an act of understanding and participating. And within this never ending involvement with ‘what is happening,’ the moments when I see exciting works for the first time constitute some of the highlights of my life,” says Joannou.
In 1983, Joannou established the DESTE Foundation for Contemporary Art—a nonprofit institution based in Athens, Greece, at the suggestion of Pierre Restany. Ever since, DESTE has been organizing exhibitions and supporting projects and publications internationally. Through an exhibition program that promotes emerging as well as established artists, the DESTE Foundation aims to broaden the audience for contemporary art, to enhance opportunities for young artists, to explore the connections between contemporary art and culture, and to encourage new scholarship on contemporary art. DESTE has established the Contemporary Greek Artists’ Archive, a resource for curators and researchers, as well as a specialized art library which is open to the public.
Selected Artists (50)
Paweł Althamer
Born 1967 in Warsaw, Poland
Lives and works in Warsaw, Poland
David Altmejd
Born 1974 in Montreal, Canada
Lives and works in London, United Kingdom, and Montreal, Canada
Janine Antoni
Born 1964 in Freeport, Bahamas
Lives and works in New York, NY
assume vivid astro focus
Born sometime between the twentieth and twenty-first centuries, in various parts of the world
Nomads
Tauba Auerbach
Born 1981 in San Francisco, CA
Lives and works in New York, NY, and San Francisco, CA
Matthew Barney
Born 1967 in San Francisco, CA
Lives and works in New York, NY
Vanessa Beecroft
Born 1969 in Genoa, Italy
Lives and works in Los Angeles, CA
Ashley Bickerton
Born 1959 in Barbados, West Indies
Lives in Kuta Bali, Indonesia
John Bock
Born 1965 in Gribbohm, Germany
Lives and works in Berlin, Germany
Mark Bradford
Born 1961 in Los Angeles, CA
Lives and works in Los Angeles, CA
Maurizio Cattelan
Born 1960 in Padua, Italy
Lives and works in New York, NY, and Milan, Italy
Paul Chan
Born 1973 in Hong Kong, China
Lives and works in New York, NY
Dan Colen
Born 1979 in Leonia, NJ
Lives and works in New York, NY
Nigel Cooke
Born 1973 in Manchester, United Kingdom
Lives and works in London, United Kingdom
Roberto Cuoghi
Born 1973 in Modena, Italy
Lives and works in Milan, Italy
Nathalie Djurberg
Born 1978 in Lysekil, Sweden
Lives and works in Berlin, Germany
Haris Epaminonda
Born 1980 in Nicosia, Cyprus
Lives and works in Berlin, Germany
Urs Fischer
Born 1973 in Zurich, Switzerland
Lives and works in New York, NY
Robert Gober
Born 1954 in Wallingford, Connecticut
Lives and works in New York, NY
Matt Greene
Born 1972 in Atlanta, GA
Lives and works in New York, NY
Mark Grotjahn
Born 1968 in Pasadena, CA
Lives and works in Los Angeles, CA
Adam Helms
Born 1974 in Tucson, AZ
Lives and works in New York, NY
Jenny Holzer
Born 1950 in Gallipolis, OH
Lives and works in Hoosick, NY
Elliott Hundley
Born 1975 in Greensboro, North Carolina
Lives and works in Los Angeles, CA
Mike Kelley
Born 1954 in Detroit, MI
Lives and works in Los Angeles, CA
Terence Koh
Born 1977 in Beijing, China
Lives and works in New York, NY
Jeff Koons
Born 1955 in York, Pennsylvania
Lives and works in New York, NY
Liza Lou
Born 1969 in New York, NY
Lives and works in Los Angeles, CA
Nate Lowman
Born 1979 in Las Vegas, NV
Lives and works in New York, NY
Mark Manders
Born 1968 in Volkel, the Netherlands
Lives and works in Arnhem, the Netherlands
Paul McCarthy
Born 1945 in Salt Lake City, UT
Lives and works in Los Angeles, CA
Dave Muller
Born 1965 in San Francisco, CA
Lives and works in Los Angeles, CA
Takashi Murakami
Born 1963 in Tokyo, Japan
Lives and works in Tokyo, Japan and Long Island City, NY
Tim Noble and Sue Webster
Tim Noble: Born 1966 in Stroud, Gloucestershire, United Kingdom
Sue Webster: Born 1967 in Leicester, United Kingdom
Live and work together in Shoreditch, East London, United Kingdom
Cady Noland
Born 1956 in Washington, D.C.
Lives and works in New York, NY
Chris Ofili
Born 1968 Manchester, United Kingdom
Lives and works in London, United Kingdom
Seth Price
Born 1973 in East Jerusalem, Israel
Lives and works in New York, NY
Richard Prince
Born 1949 in Panama Canal Zone, Panama
Lives and works in Rensselaerville, NY
Charles Ray
Born 1953 in Chicago, IL
Lives and works in Los Angeles, CA
Tino Sehgal
Born 1976 in London, United Kingdom
Lives and works in Berlin, Germany
Jim Shaw
Born 1952 in Midland, MI
Lives and works in Los Angeles, CA
Cindy Sherman
Born 1954 in Glen Ridge, NJ
Lives and works in New York, NY
Kiki Smith
Born 1954 in Nuremberg, Germany
Lives and works in New York, NY
Christiana Soulou
Born 1961 in Athens, Greece
Lives and works in Athens, Greece
Jannis Varelas
Born 1977 in Athens, Greece
Lives and works in Athens, Greece, and Vienna, Austria
Kara Walker
Born 1969 in Stockton, CA
Lives and works in New York, NY
Gillian Wearing
Born 1963 in Birmingham, United Kingdom
Lives and works in London, United Kingdom
Andro Wekua
Born 1977 in Sochumi, Georgia
Lives and works in Zurich, Switzerland
Franz West
Born 1947 in Vienna, Austria
Lives and works in Vienna, Austria
Christopher Wool
Born 1955 in Chicago, IL
Lives and works in New York, NY
New Museum
235 Bowery
New York, NY 10002
212.219.1222
General Admission: $12
Seniors: $10
Students: $8
18 and under: FREE
Members: FREE
* Wednesday 12-6 PM
* Thursday and Friday 12-9 PM
* Saturday and Sunday 12-6 PM
* Monday and Tuesday closed
* The seventh floor Sky Room with panoramic views is open on weekends only.
* The Museum is closed to the public on Monday and Tuesday and on Thanksgiving Day, Christmas Day, and New Years Day.
* Free Thursday Evenings (from 7 PM to 9 PM).
* The New Museum's Visitor Services program is sponsored by Bloomberg
By Subway
From the East Side of Manhattan
Take the downtown 6 train to Spring Street. Exit the station and walk one block north on Lafayette Street to Prince Street. Turn right and proceed until Prince Street ends four blocks later at Bowery.
From the West Side of Manhattan
Take the downtown 1 train to 42nd street and transfer to the downtown R or W trains on weekdays or the N or R train on weekends, downtown to Prince Street. Exit the station and proceed east on Prince Street for six blocks to Bowery. You may also take the downtown B or D trains to Broadway/ Lafayette. Walk three blocks east to Bowery and turn right two blocks to Prince Street.
From Brooklyn
Take the Manhattan-bound F or V train to 2nd Avenue. Exit at Houston Street, and walk one block west to Bowery. Turn left, and proceed one and a half blocks south to Prince Street.
From Queens
Take the Manhattan-bound F or V train to 2nd Avenue. Exit at Houston Street, and walk one block west to Bowery. Turn left, and proceed one and a half blocks south to Prince Street.
For more info on me visit my official website
www.rickyday.net
April 06, 2010
Urban Pop Life Video World Premiere: Mary J. Blige - Each Tear featuring Jay Sean
For more info on me visit my official website
www.rickyday.net
SELECT GENDER at Farmani Gallery in Brooklyn
SELECT GENDER
Curators: Rafael Soldi, Paolo Morales & Elle Perez
April 01, 2010 – May 22, 2010
Opening Public Reception: Thursday, April 1, 2010, from 6-830PM
Photographic works by: Daniel Aguirre, Carl Bower, Caleb Cole, Nicolas Djandji, Jason Hanasik, Jamil Hellu, Monique Bergen Henegouwen, Kate Hutchinson, Katie Koti, Diane Russo, J. Aiden Simon, Sarah Sudhoff, and Molly Landreth + Amelia Tovey
Farmani Gallery is proud to present Select Gender, introducing fourteen rising photographers communicating their contemporary viewpoint within fine art photography. The exhibition, co-curated by budding artists Rafael Soldi, Paolo Morales and Elle Perez, will present a diverse selection of innovative artworks that focus on the theme of gender perceptions and the role of sexual assignments in America and abroad. This exhibition embraces the mission of the gallery and the curators in their support of promising talent and our hopes to further a conversation through photographic works of present-day subject matter.
For inquiries or to obtain an electronic press kit please contact mail@farmanigallery.com or call 718-578-4478. For other inquiries please contact team@farmnigallery.com. Please visit us at www.farmanigallery.com or follow us on Twitter and Facebook for the latest gallery updates.
Farmani Gallery is located at 111 Front St., Ste. 212, Brooklyn, NY in the DUMBO neighborhood between Washington and Adams St. By subway take A or C to High St., F to York St. or 2 and 3 to Clark St. Station. Gallery hours: Wed. – Sat.: 1 – 6PM. Information: www.farmanigallery.com or info@farmanigallery.com or ph# 718-578-4478.
For more info on me visit my official website
www.rickyday.net
ALIX PEARLSTEIN Talent at On Stellar Rays in NYC April 11 – May 23, 2010
ALIX PEARLSTEIN
Talent
April 11 – May 23, 2010
Opening reception: April 11, 2010, 6 - 8pm
On Stellar Rays is pleased to present two new videos by NY-based artist Alix Pearlstein, Talent and Finale. Together the works explore the perimeters of the performance score, related shifts in subjective and objective perception, and the subtle difference between being, acting and performing.
Both videos share the same set, a dance studio which doubles as a performance venue, and the same cast, comprised of 10 professional actors. Talent consists of a sharply structured and edited sequence of acts, actions and interactions among the actors, alternately suggesting a contest, audition, rehearsal, performance and shoot. The camera bisects the studio as it tracks laterally, back and forth along a white line on the floor, creating a physical and psychic division between cast and crew. Further complicating the composition is a mirrored wall behind the actors, reflecting and exposing the activity of the camera, crew and artist / director, while implicating them in the scene. This construct recalls aspects of two widely divergent, iconic works that premiered concurrently in 1975: Michael Bennett’s A Chorus Line and Dan Graham’s Performance / Audience / Mirror.
Finale takes a decidedly more introspective mood. Shot at dusk, the studio windows reveal the sun setting behind the Manhattan skyline. A centrally positioned camera rotates continuously counter clockwise in the space. For the duration of a single long take, cast and crew refer and respond to actions from Talent. They circulate freely throughout the space, alternately stepping in and out of their roles, as the structured acts of the preceding hours unravel.
Running times for Talent and Finale are 10:30 and 10:20 minutes, both works are from 2009.
Alix Pearlstein’s work in video and performance has been widely exhibited internationally. Selected solo exhibitions include the Contemporary Art Museum, St. Louis; The Kitchen, NYC; MIT List Visual Arts Center, Cambridge MA; Lugar Commum, Lisbon; Greenberg Van Doren Gallery, NYC; The Museum of Contemporary Art, Chicago; The Museum School of Fine Arts, Boston and Postmasters Gallery, NYC. Her works have been included in exhibitions at Internationale D’Art De Quebec; The Center for Contemporary Art, Tel Aviv; Annual Exhibition of Visual Art, Ireland; BAM / PFA, Berkeley; SMAK, Ghent; The Whitney Museum of American Art, NYC; ICA Philadelphia; Biennale de Lyon, France; and The Museum of Modern Art, NYC. Pearlstein lives in New York.
On Stellar Rays
133 Orchard Street
New York, NY 10002
212.598.3012
candice@onstellarrays.com
For more info on me visit my official website
www.rickyday.net
Search
Categories
Recent Posts
- Urban Pop Video premiere - Christina Aguilera " Not Myself Tonight"
- Winfred Rembert: Memories of My Youth at Adelson Galleries in NYC
- Laurent Guérin at Galerie Orange in Montreal
- CHANEL no 5 - Audrey Tautou Version HQ
- RYAN HUMPHREY Early American May 8 – June 20, 2010 at DCKT Contemporary in NYC
- Sarah Lutz: Recent Work at Lohin Geduld Gallery New York
- Video Flashback Sting: Fragile
- Julie Heffernan: Boy, Oh Boy at P•P•O•W Gallery in New York
- Stuart Cumberland at Nicholas Robinson Gallery in NYC
- Elektra, by Kristen Schiele and The Forest for the Trees, by Clare Grill at Sloan Fine Art in NYC
Powered by
Movable Type 3.2ysb5-20051201
Movable Type 3.2ysb5-20051201