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March 30, 2010

Urban Pop Icon: Choreographer Eleo Pomare

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" I'm labeled ... angry ... because I will not do what they want from a black dancer. They want black exotics ... I have something to say and I want to say it honestly, strongly and without having it stolen, borrowed or messed over."

Eleo Pomare
(Johnson, "I Must Be Black and Do Black Things"
New York Times, Sept. 7. 1969, Sec II, p 31
from Black Dance from 1619 p 298)

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Eleo Pomare
Born: 1937
Occupation: choreographer, dancer, teacher

Before moving to Harlem at the age of ten, Eleo Pomare spent his childhood in Cartagena, Colombia, San Andres, and Panama. After receiving a diploma from the High School of Performing Arts in New York City, he continued his dance training with Louis Horst, Jose Limon, and Curtis James, and by 1958 was directing his first company. Through a John Hay Whitney Fellowship, Pomare spent two years (1962-1964) studying initially with Kurt Jones in West Germany and later with Expressionists in Holland. There he organized a second company that was well received in Holland, Sweden, Germany, and Norway.

By 1965, Pomare returned to the United States seeking an artistic connection to American culture. His company performed throughout the United States and later toured successfully in Asia, Africa, Canada, Spain, Australia, and the West Indies.

Pomare's distinctive style is characterized by unexpected shapes that twist, bend, fall, and lean in continuous organic movement. With a keen musical sense, he creates sculptures-in-motion that extend, expand, and slice through space. They can be lush and lyrical, or bold, driving, and direct. Some of his characteristic works include "Missa Luba" (1965), "Blues for the Jungle" (1966), and "Las Desenamoradas" (1967).

Pomare often creates dances based on visual and literary works or socio-political issues. In 1988, he was selected by the American Dance Festival to participate in a three-year project entitled "The Black Tradition in American Modern Dance" set up to showcase and preserve modern dance classics by African-American choreographers. He has produced dances for the Alvin Ailey American Dance Theater, the Dayton Contemporary Dance Company, The National Ballet of Holland, Balletinstituttet (Oslo, Norway), the Cleo Parker-Robinson Dance Company, the Australian Contemporary Dance Company, and the Ballet Palacio das Artes (Belo, Horizonte, Brazil).

As a founder and the first artistic director of Dancemobile (1967), Pomare helped bring free professional dance concerts to the streets of New York City. For his outstanding contributions to modern dance, January 7, 1987 was declared Eleo Pomare Day by the Borough President of Manhattan. Pomare is the recipient of a Guggenheim Fellowship and several awards from the National Endowment of the Arts.

-- Jacqui Malone

• Eleo Pomare, dancer and choreographer, born October 20 1937; died August 8 2008
In addition to his partner, Glenn Conner, he is survived by three sisters.

For more info on me visit my official website
www.rickyday.net





March 29, 2010

Urban Pop Life Video World Premiere: Kelis Acapella

Acapella

I was walking, was living
My melody was acapella
There’s a beat I was missing
No tune, or a scale, I could play
-
The sound in the distance
No orchestra playing together
Like a boat out to sea,
The silence was too deafening!
-
So come and revive me
I can’t feel my heartbeat
Just me surviving alone
-
(Chorus)
Before you,
My whole life was acapella!
Now a symphony’s
The only song to sing
Before you,
My whole life was acapella!
Now a symphony’s
The only song to sing
-
Everything was the same
One color was just like the others
An assembly routine
My memories were all black and white
Till I stopped over-thinking
Decided to draw back the curtains
And I cleared all the cobwebs
And began to let in the light
-
So come and revive me
I can’t feel my heartbeat
Just me surviving alone
-
(Chorus)
Before you,
My whole life was acapella!
Now a symphony’s
The only song to sing
Before you,
My whole life was acapella!
Now a symphony’s
The only song to sing
-
(Bridge – 3X)
You are the drum in my heart beat
Bass and guitar lead
Stuck on the notes you play
My heart that you play on
Grab like a crayon
I can’t walk away
-
(Chorus – 2X)
Before you,
My whole life was acapella!
Now a symphony’s
The only song to sing
Before you,
My whole life was acapella!
Now a symphony’s
The only song to sing

March 21, 2010

Anthony Lister How to Catch a Time Traveler and "Size DOES Matter", curated by basketball legend Shaquille O'Neal

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Lyons Wier Gallery is pleased to present Anthony Lister's second solo exhibition with the gallery, How to Catch a Time Traveler. The exhibition follows directly on the heals of Lister's 50-foot, site-specific mural, "Red Dot", created for the Pulse Art Fair, NYC (2010), showcasing Lister's undeniable signature style that has garnered him international acclaim.

Known in the Low Brow movement for his intriguing, playful hybrid of street art, expressionism, and cubism all manifested in non-traditional media such as spray paint. In his latest series, Lister continues his examination of pop culture and how a generation raised on American television processes and interprets the symbols and imagery of their youth. The result is gender bending cartoon characters, and superheroes such as Wonder Woman and Bat Girl, that uncover the unconscious sexual desires and repressed taboos embedded in these seemingly innocuous popular icons. Lister's practice is indeed about reality. A reality his work does not claim to resolve, but rather to question, loudly.
Gallery Hours: Monday - Saturday 11-7, Sun. 12-6 • Subway: C, E exit 23rd @ 8th Ave. 1, 9 exit 23rd @ 7th Ave.

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"Size DOES Matter", curated by basketball legend Shaquille O'Neal

The FLAG Art Foundation is pleased to present "Size DOES Matter", curated by basketball legend Shaquille O'Neal. This exciting exhibition, on view from February 19, 2010 - May 27, 2010, includes works from international artists exploring the myriad ways that scale affects the perception of contemporary art. Included is work from gallery artist James Rieck's collection "Issues with Authority". Through amplified scale and severe cropping, Rieck's painting "Cops" re-contextualizes the source material to draw attention to the obvious as well as the subtle psychological underpinnings of the model and the viewer. Pared down to just slivers, politically and sexually charged, Rieck's paintings dominate and titillate the viewer into near arrest.

Gallery Hours: Monday - Saturday 11-7, Sun. 12-6
Subway: C, E exit 23rd @ 8th Ave. 1, 9 exit 23rd @ 7th Ave.

175 7th Ave. (@ W 20th St.) NYC, NY 10011 - Tel: 212.242.6220

For more info on me visit my official website
www.rickyday.net





March 16, 2010

Enjoy...

Janet Jackson: Enjoy

Wake up 7 A.M.
'Bout time we do it again
Sushine today
I better make plans
Cause it rained yesterday
But that was ok
Cant complain
I love it either way

Living everyday like it's my last
I refuse to be stuck in the past
People actin like machines
Cause they're scared to live their dreams
No not me

I just enjoy and celebrate
Enjoy the love we make
Enjoy, appreciate
Enjoy
Just keep on doing it
'Til my hearts content
And enjoy when someone smiles
Enjoy
So just enjoy the simple things
Enjoy the day life brings
Enjoy the song love sings
Enjoy
Just keep on doing it
'Til your hearts content
And enjoy the gift of life
Enjoy

If you wanna find the paradise
Do it now never too late to try
Lose your inhibitions
Let your inspiration set you free

And just enjoy and celebrate
Enjoy the love we make
Enjoy, appreciate
Enjoy
Just keep on doing it
'Til my hearts content
And enjoy when someone smiles
Enjoy
So let's enjoy the simple things
Enjoy the day life brings
Enjoy the song love sings
Enjoy
Just keep on doing it
'Til your hearts content
And enjoy the gift of life
Enjoy

And the people say

Enjoy la la la la la [Repeat]

I just enjoy and celebrate
Enjoy the love we make
Enjoy, appreciate
Enjoy
Just keep on doing it
'Til my hearts content
And enjoy when someone smiles
Enjoy
So just enjoy the simple things
Enjoy the day life brings
Enjoy the song love sings
Enjoy
Just keep on doing it
'Til your hearts content
And enjoy the gift of life
Enjoy

Enjoy la la la la la [Repeat]

March 15, 2010

LYLE ASHTON HARRIS I Ghana FEB 25 - APR 3, 2010

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LYLE ASHTON HARRIS I Ghana
FEB 25 - APR 3, 2010

CRG presents a new body of work by Lyle Ashton Harris titled “Ghana” which has been inspired by the cultural space that is taking shape at the confluence of contemporary globalization and a rich cultural tradition haunted by the relics of the slave trade.

As spectator and participant, Harris is insider and outsider simultaneously; exploring his personal experience in Ghana, Harris excavates the shared historical legacy of America and Africa. In his video installation, “Untitled (Cape Coast)”, 2008, Harris combines multiple layers of video over hanging panels of printed silk organza. Images of a serene and idyllic beach scene are superimposed with images of the surrounding environment evoking different historical and anthropological layers; fleeting images of traditional Ghanaian festivals overlay a landscape that is home to what was once one of the largest slave trading forts on the former Gold Coast.

While collage has long been integral to Harris’s practice, in his recent “Jamestown Prison Erasure Images,' exhibited here for the first time, Harris undertakes a visual conversation with wall collages by prisoners who resided in a former colonial era fort, that at one time also held Kwame Nkrumah as a political prisoner prior to taking office as the first president of Ghana upon its independence as a nation in 1957.

The prison collages, consisting of images of cars, women, and other objects of desire, bear an uncanny resemblance to Harris’s large-scale wall collages that incorporate his own photographs with layers of ephemera and other printed material.

“Untitled (Black Power),”2010, a new three channel video work borrows its title from the controversial yet seminal 1957 travel essay by literary giant Richard Wright. Captured here are intimate moments as powerful metaphors for embodied cultural hybridity. Inhabiting the space of a local gym in Accra, Harris traces the rituals movements of Herculean body builders performing repetitions with improvised weights fashioned out of what appear to be welded tractor gears. Harris has divided his time between New York and Accra, Ghana, since 2005, serving as a professor at New York University’s Accra campus. This current body of work has emerged from Harris’s experiences living in Ghana and provides a framework with in which he continues expanding on themes characteristic of his past work: meditations on race, masculinity, and performative gestures captured within the photographic medium. The exhibition includes video as well as collage-based installation and still photographs.

Harris was born in the Bronx and raised in New York City and Dar Es Salaam, Tanzania. For the past twenty years Lyle Ashton Harris’ work has explored narratives of ethnicity, identity and shifting definitions of self, resulting in significant contributions to the field of contemporary art and photography. Works from earlier projects—Americas, (1987/88); Constructs (1989); The Good Life (1994); Memoirs of Hadrian (2002); and Billies (2002)—have been included in landmark exhibitions such as "Black Male: Representations of Masculinity in Contemporary American Art", at the Whitney Museum of American Art (1994) and "Rrose is a Rrose is a Rrose: Gender Performance in Photography " at The Solomon R. Guggenheim Museum (1997). Works produced throughout this period continue to be selected for museum shows, including "For the Love of the Game: Race and Sport in America," at The Wadsworth Atheneum Museum of Art (2007); "Double Consciousness: Black Conceptual Art Since 1970," at Contemporary Arts Museum, Houston (2005); "Photography of the Self: The Legacy of F. Holland Day," at the Whitney Museum of American Art (2007); and "Kreyol Factory," at Parc de la Villette, Paris (2009).

This Spring 2010 …. Excessive Exposure: The Complete Chocolate Portraits. This book, to be published in Spring 2010 by Gregory R. Miller & Co., includes an introduction by Henry Louis Gates, Jr., a critical essay by Okwui Enwezor and an interview with Chuck Close


CRG GALLERY
535 W 22nd St, New York, NY 10011 | T 212-229-2766 F 212-229-2788 | www.crggallery.com
(Google Maps)

Transportation: C and E trains to 8th Ave at 23rd St / M23 Bus to 10th Ave and 23rd St

For more info on me visit my official website
www.rickyday.net





ROSS RUDEL: BURGEON / MARCH 18 - APRIL 17, 2010 at Jack Shainman Gallery

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Ross Rudel
burgeon
March 18, 2010 April 17, 2010

Opening reception for the artist, Thursday, March 18th, 6 8 PM

Jack Shainman Gallery is pleased to present burgeon an exhibition of new sculpture by Los Angeles artist Ross Rudel. For this body of work Rudel has drawn upon dreams, odd personal experiences and his ongoing spiritual relationship with nature. Resurrection of the Green Man was inspired by a dream in which a man was murdered in the Mojave Desert and his corpse sprouted vegetation that transformed the landscape into a lush Eden. A chance meeting with a Yoruba Priest and a related encounter with an urban hawk led to the creation of Solicitation. A long aesthetic struggle with the strange gnarls on the surface of a log found while hiking resulted in the double-helix carving Sequence.

The materials that Rudel incorporates in his work often have personal or symbolic significance. The Green Man and related work in the exhibit were created entirely of algae from the Los Angeles River that blooms prodigiously every Spring following the purging winter floods. An antler from the Black Hills, manzaneta root burl from a spiritual center at Mt Shasta and fabric related to Rudels deceased brother were incorporated in Solicitation. The playing cards used to create Proprietary Dream Mandala had run a full cycle at the poker tables of the Silverado Casino in Deadwood, SD, which Rudel believes imbued them with significant residual energy. Humor finds its way into the Mandala, as Rudel saw this artwork in a dream at a collectors home and obsessed about plagiarizing it.

As with past work, Rudel has a fetishistic approach to detail. These objects tend to trap the viewer between the rawness of allusions and the elegance of presentation. His work speaks of solitary ritual and reverberates a disquieting presence.

Rudel has a BA from Montana State University and an MFA from UC Irvine.
His work has been exhibited in solo and group exhibitions nationally and internationally, including: Los Angeles County Museum of Art; Museum of Contemporary Art, Los Angeles; Museum of Contemporary Art San Diego; New Museum of Contemporary Art, New York City; the Museo Cantonale dArte, Lugano, Switzerland; The Panza Collection, Varese, Italy; Museo di Arte, Trento e Rovereto, Italy; Angeles Gallery, Los Angeles; and Studio la Citta, Verona, Italy. This will be Rudels fifth solo exhibition at Jack Shainman Gallery.

Concurrent exhibition at the gallery, Todd Hebert: Recent Work, March 18 April 17, 2010.

Upcoming exhibitions include Lynette Yiadom Boakye - Essays and Documents and Carrie Mae Weems - Slow Fade to Black opening April 22 on view through May 22, 2010.

For more information and press photography please contact the gallery at 212.645.1701 or info@jackshainman.com

Image caption: Double Helix, 2008, wooden spiral on nightstand, 96 x 14 x 14 inches

For more info on me visit my official website
www.rickyday.net





March 12, 2010

Artist reception for LATENT: an En Foco exhibition Curated by Terry Boddie, it's free and you're all invited

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Photo: © Ricky Day, Kalup Linzy Contemplation, 2009. This is The Life series. Digital c-print, 16" x 20"


This Friday join me at the artist reception for the group show I'm in called LATENT: an En Foco exhibition Curated by Terry Boddie.

ARTIST RECEPTION: Friday, March 12 from 6:00 to 9:00pm

Umbrella Arts + Projects
317 East 9th Street (between 1st & 2nd Ave)
New York, NY 10003
212.505.7196 / www.umbrellaarts.com

LATENT: an En Foco exhibition Curated by Terry Boddie

Featuring:
Wilfredo Benitez
Shraddha Borawake
Ricky Day
Vanina Feldsztein
Terri Garland
Rizzhel Mae Javier
Margaret LeJeune
Jaime Permuth
Wendy Phillips
Magdalena Solé
Stacey Tyrell
Elizabeth Valentin

March 3-27, 2010

The theme Latent, refers not only to the process of photography, but the positive potential of the exhibiting photographers.
________________________

After the reception join us for the new art party presented by Derrick Adams* Nico Wheadon* Ricky Day...

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DORIAN GRAY : THIS PARTY WILL NEVER GET OLD!

Every Friday night Derrick Adams, Miss Nico Wheadon and yours truly are hosting a great new party called Dorian Gray. This party will never get old and it features great music (dance-pop, b-more beatz, hip hop and more!), creative people from the art, design, music and fashion worlds, creative folks from all backgrounds, women, men and diverse New Yorkers who share a love of good music, good art and good times. Check the blog or facebook for more details.

For more info on me visit my official website
www.rickyday.net





Urban Pop Life Video World Premiere: Lady Gaga and Beyonce Telephone

Gaga and Beyonce are DOIN IT in this hot new video for TELEPHONE! Check it here.

Sperm...

Now this looks interesting.

March 11, 2010

TODD HEBERT / RECENT WORK / MARCH 18 - APRIL 17, 2010 at Jack Shainman Gallery in NYC

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TODD HEBERT / RECENT WORK / MARCH 18 - APRIL 17, 2010

TODD HEBERT
Recent Work
March 18 April 17, 2010

Opening reception for the artist, Thursday, March 18th, 6 8 pm

Jack Shainman Gallery is pleased to announce the opening of Recent Work, Todd Heberts second solo exhibition at the gallery. Hebert creates hyper-realistic paintings and works on paper featuring common subject matter, from nighttime cityscapes, to snowmen, Christmas lights, and Fourth of July sparklers. His paintings combine areas of sharp focus within blurred compositions that draw the viewer in. Their overall mood is contemplative and detached.

Todd Hebert earned his BFA from the University of North Dakota in 1996, and his MFA from the Rhode Island School of Design in 1998. He has been a fellow at the Fine Arts Work Center in Provincetown, MA; and the Core Program, Glassell School of Art, in Houston, TX. Hebert has exhibited his work in numerous solo and group exhibitions at venues including The Aldrich Contemporary Art Museum, The Carpenter Center, Harvard University, Cambridge, MA, and the Contemporary Art Center, New Orleans, LA, 2007. His work is included in prestigious public and private collections including the Los Angeles County Museum of Art, Los Angeles, CA and the Neuberger Berman Collection, NY. Publications that have reviewed his work include the Los Angeles Times, Art Review, the New York Times and Art Lies.

Concurrent exhibition at the gallery, Ross Rudel: burgeon, March 18 April 17, 2010.

Upcoming exhibitions include Lynette Yiadom Boakye - Essays and Documents and Carrie Mae Weems - Slow Fade to Black opening April 22 on view through May 22, 2010.

For more information and press photography please contact the gallery at 212.645.1701 or at info@jackshainman.com

Image caption: Snowman With Lights #7, 2009, Acrylic on canvas over panel, 60 x 48 inches

For more info on me visit my official website
www.rickyday.net





March 10, 2010

Video Flashback: Talk Talk

Since the record company wont allow embedding of the broadcast video, I'll have to honor the group with this live performance video. This is one of my favorite songs of the 80's. Check it out. Then for extra credit check out the No Doubt version.

The AIPAD Photography Show New York March 18 - 21, 2010


The AIPAD Photography Show New York
March 18 - 21, 2010
March 17, 2010
Gala Preview to benefit the John Szarkowski Fund, an endowment for photography acquisitions at The Museum of Modern Art, New York.
(To purchase Gala tickets, please visit www.moma.org/aipad2010.)

One of the most important international photography events, The AIPAD Photography Show New York, will be presented by the Association of International Photography Art Dealers (AIPAD) from March 18 through 21, 2010.

More than 70 of the world's leading fine art photography galleries will present a wide range of museum-quality work including contemporary, modern and 19th century photographs, as well as photo-based art, video and new media, at the Park Avenue Armory in New York City.

The 30th edition of The AIPAD Photography Show New York will open with a Gala Preview on March 17 to benefit the John Szarkowski Fund, an endowment for photography acquisitions at The Museum of Modern Art in New York City.

The AIPAD Photography Show New York is the longest running and foremost exhibition of fine art photography.

Show Hours
Thursday, March 18 11:00 a.m. to 8:00 p.m.
Friday, March 19 11:00 a.m. to 8:00 p.m.
Saturday, March 20 11:00 a.m. to 8:00 p.m.
Sunday, March 21 11:00 a.m. to 6:00 p.m.

Admission
$40 run of show pass (includes catalogue)
$25 one day pass
$10 one day pass with valid student ID

For more info on me visit my official website
www.rickyday.net





March 09, 2010

Urban Pop Life Gallery spotlight: Jonathan LeVine Gallery

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Jonathan LeVine Gallery exhibits a genre of work influenced by illustration, comic books, graffiti, street art and pop culture imagery. We represent a mix of emerging and mid-career level artists with an emphasis on cultivating new talent and creating an environment where artists can further develop their work. Stylistic and ideological tendencies shared by our artists create a fluid continuity within our program. Dissatisfaction with the conventional definitions of art and art making, an attraction to alternative subcultures and the creative energy inspired by the Do it Yourself ethic acts as a common thread. The works produced are primarily figurative with a strong sense of narration - the artist as storyteller.

The DIY attitude has helped shape our gallery's commitment to offering our space as one that encourages exploration. Bridging the gap between exhibiting artwork in the gallery setting, and ephemerally on the street, the challenge often faced by street artists is how to translate their imagery into a "whitebox" environment from it's context within the urban landscape. At Jonathan LeVine Gallery, artists are given complete freedom to fill the space with large scale pieces and incorporate the gallery walls into their work through complex and inventive installations. Past exhibitions have included alternative spaces in DUMBO, Brooklyn and mural projects throughout the city.

Since 2005, the first year established in New York, Jonathan LeVine Gallery has participated in a number of International Art Fairs during Art Basel week in Miami and Armory Arts Week in New York, cultivating an audience of international collectors and increasing visibility in the fine art arena. Additionally, the gallery's program has expanded beyond its space in Chelsea, collaborating with International galleries in presenting work by represented artists to new audiences overseas, in cities such as: Rome, Paris, London and Sao Paulo, Brazil. The goal is added exposure while creating a visual dialogue and cross-cultural exchange of ideas within our global community.

Jonathan LeVine Gallery remains focused on maintaining its mission of community, and commitment to providing our artists with a nurturing arena for experimentation and discussion.

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Group exhibition
February 27 thru March 27

NEW YORK, NY (January 26, 2010) — Jonathan LeVine Gallery will celebrate its fifth anniversary with a commemorative group exhibition featuring exceptional and exemplary new works by thirty-six artists who are either currently represented by the gallery or who have exhibited at the gallery in the past five years. The exhibition will be on view from February 27—March 27, 2010, and there will be an opening reception on Saturday, February 27, from 7—9pm.

Since 2005, Jonathan LeVine Gallery has been an important venue for Street Art (ephemeral work placed in public urban environments) and Pop Surrealism (work influenced by illustration, comic book art, and pop culture imagery). As such, the pieces in this exhibition—comprised of paintings, drawings, and sculptures—will be primarily figurative with a strong sense of narration.

Artists in this exhibition have developed prominent creative voices for themselves as individuals, while also playing valuable roles within the historical context of the larger Street Art and/or Pop Surrealism movements. All of them have been influential in shaping the gallery’s program, creating work with a unique counter-culture point of view.

In LeVine’s words: “I believe that my program represents a generational shift, and that the artists who I work with will continue to define the evolution of this genre.”

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About Jonathan LeVine

As a youth in the 1980s, LeVine recognized the appeal of countercultural aesthetics including punk flyers, comics, graffiti and tattoos. Beginning in 1994, LeVine became an independent curator, organizing exhibitions at punk and alternative rock venues in the NY/NJ area such as: CBGB, Webster Hall, Max Fish, and Maxwell's. By promoting these visual art forms through group shows in venues that were home to their musical counterparts, LeVine gave a home to this nascent art movement, early on.

In February 2001, LeVine opened his own gallery Tin Man Alley in New Hope, Pennsylvania. The gallery relocated to Philadelphia in late 2002. In January 2005, LeVine renamed and moved his gallery to the epicenter of the contemporary art world, Manhattan's Chelsea district.

Jonathan LeVine is pleased to continue cultivating new and long-standing relationships with featured artists and active collectors through his program at the gallery, participating in art fairs, and presenting special exhibitions in International locations.

For more info on me visit my official website
www.rickyday.net





March 07, 2010

Urban Pop Life: New Music from Malachi Rivers featuring Maria Bentley

March 05, 2010

A beautiful slide show

Check out this beautiful slide show of 2009 from the White House point of view. Politics aside these are simply beautiful images that I wanted to share.

http://www.flickr.com/photos/whitehouse/sets/72157623126418563/show/

DORIAN GRAY IS TONIGHT - DON'T MISS THE PARTY OF THE YEAR!

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I've joined forces with Derrick Adams and Miss Nico Wheadon to create and exciting new party on Friday nights. The party is called Dorian Gray. It's a party centered around the art world, but open to everyone. Artists, curators, gallery owners, models, fashion professionals, regular people with a creative spirit, black, white, latino, straight, gay, bi, everyone is welcome. This event is our contribution to a new world where people come together in the spirit of creativity, love and all things funky.

Derrick Adams, Nico Wheadon and Ricky Day present

DORIAN GRAY
"This party will never get old"

Every Friday starting this Friday March 5, 2010
at Le Royale
21 Seventh Avenue (at the corner of Leroy Street)
10pm until 4am (Free before Midnight and $10 after)
21 and over with i.d.
Attire: Chic, but casual, creative and sexy (don't be afraid to let your creativity reign)
VIP bottle service available upon request. (advance table reservation suggested)

Dance-pop, hip hop, freestyle and b-more beats by our deejays:
Derrick Adams and Designer Imposter

Featuring special performances by:
Lainie Dalby
Jacolby Satterwhite
Tiny Dinosaur

March 03, 2010

Urban Pop Life Video World Premiere: Estelle and Kanye West

For more info on me visit my official website
www.rickyday.net





NEW YORK ART FAIR WEEK

It's that time of year when all the Art Fairs are in town, PLUS the Whitney Biennial, PLUS a group photography show that I am participating in. So grab your walking shoes, some cab fare and your reading glasses and get out and enjoy great art from all over the world.

After you look at all the great art you can join Derrick Adams, Nico Wheadon and myself as we host a great new party:

Dorian Gray "This party will never grow old"
Check for details in a separate post. So for now here's the information on the largest fairs. Google NY Art Fairs to find out about other fairs and events.

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THE ARMORY SHOW
Piers 92 & 94

The Armory Show is America's leading fine art fair devoted to the most important art of the 20th and 21st centuries. In its eleven years, the fair has become an international institution. Every March, artists, galleries, collectors, critics and curators from all over the world make New York their destination during Armory Arts Week.

Twelfth Avenue at 55th Street
New York City

The Armory Show 2010 Opening Day takes place Wednesday, March 3rd for invited guests.
Opening Hours:
Thursday, March 4 - Saturday, March 6 Noon to 8 pm
Sunday, March 7 Noon to 7 pm

Piers 92 & 94 are located on Manhattan's far West side on the Hudson River (Twelfth Avenue) at 55th Street in the Passenger Ship Terminal complex. The piers are easily accessible by public transportation, taxi, and private vehicle. The nearest subway stop is four cross-town blocks east at 50th Street and Eighth Avenue.

Ticket prices

General Admission US$30
Students US$10
Groups (10+) US$15
Run of Show Pass (4 day) US$60
The Armory Show/VOLTA NY Pass US$40

Shuttle Bus Service
Shuttles are available between The Armory Show on Piers 92 & 94 and VOLTA NY on 34th street near 5th Avenue.

Mass Transit
Piers 92 & 94 can be reached by public transportation via the Eighth Avenue subway, E or C trains to 50th street, then via M50 bus line. The M50 bus runs West on 49th Street (to the pier) and East on 50th Street (from the pier) connecting at Eighth Avenue (E or C subway) and at Seventh Avenue (1 or 9 subway). Also, bus lines M16 and M42 provide service to 42nd Street and Twelfth Avenue. For subway and bus information and schedules, call (718) 330-1234 or click here.

By Car
From the Lincoln Tunnel, take 42nd Street west to Twelfth Avenue. Continue north on Twelfth Avenue to Piers 92 & 94 (at the Passenger Ship Terminal). From the Queens-Midtown Tunnel, go west via 34th Street to Twelfth Avenue. Continue north to the piers (at the Passenger Ship Terminal). Access to the piers for private cars via at 55th Street and Twelfth Avenue. All vehicles should follow signs for the Passenger Ship Terminal parking.

Parking
Roof top parking is available for all visitors and exhibitors. No reservations are necessary. Only cash and travelers checks are accepted. For more information, call (212) 246-5450. Additional public parking facilities are available across Twelfth Avenue and throughout the neighboring vicinity.
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PULSE Contemporary Art Fair

PULSE Contemporary Art Fair is the leading US art fair dedicated solely to contemporary art. Held annually in New York and Miami, PULSE bridges the gap between main and alternative fairs and provides participating galleries with a platform to present new works to a strong and growing audience of collectors, art professionals and art lovers.

The Fair is divided into two sections and is comprised of a mix of established and emerging galleries vetted by a committee of prominent international dealers. The IMPULSE section presents galleries invited by the Committee to present solo exhibitions of artist's work created in the past two years.

In addition, PULSE develops original cultural programming with a series of large-scale installations, its PULSE Play> video lounge, the PULSE Performance events, and the recently launched PULSE Profiles series of artists and curators talks. The PULSE Prize is awarded in New York and in Miami to one of the artists presented in the IMPULSE section. PULSE supports numerous nonprofit art organizations and schools.

PULSE New York
330 West Street @ West Houston
New York, NY 10014

Fair Hours

Thursday, March 4
Press and VIP Private Preview
9am - 12pm
Open to public 12pm - 8pm

Friday, March 5 12pm - 8pm
Saturday, March 6 12pm - 8pm
Sunday, March 7 12pm - 5pm

Admission

General Admission $20.00
Students/Seniors $15.00
Group Discount $12.00

Please note that the group discount applies to groups of ten or more.

Entrance for Children under 12 is free.

Shuttle Service

PULSE will offer a shuttle service, Thursday March 4 - Sunday March 7, between the Armory Show at Piers 92 and 94 and PULSE.

MASS TRANSIT

Via Subway
Take the 1 or 9 train to Houston Street. Walk west four blocks on Houston to the West Side Highway. 330 West is the building just before crossing the West Side Highway.

Via Bus
From the East. Take the #21 bus west on Houston Street to Washington Street. Walk west on Houston to the West Side Highway.

From the North or South. Take the #20 bus (Hudson Street north, 7th Avenue south) to Houston Street. Walk west on Houston to the West Side Highway.

DRIVING

East Side and New England
Take the FDR Drive south to the HOUSTON Street Exit Make a right onto HOUSTON and head west to the Hudson River.

Via Queens- Midtown Tunnel
Go Southwest on FDR DR and turn RIGHT onto E 34TH ST. Turn LEFT onto 12TH AVE/ WEST SIDE HWY. Continue to follow NY-9A S/WEST SIDE HWY. Make a U-TURN at CLARKSON ST onto West St. WEST SIDE HWY. End at 330 West ST.

Via Lincoln Tunnel
Start out going SOUTH on WEST SIDE HWY toward W 34TH ST. Continue to follow NY-9A S / WEST SIDE HWY. Make a U-TURN at CLARKSON ST onto WEST SIDE HWY. End at 330 West ST.

Via George Washington Bridge
Merge onto NY-9A S via EXIT 1 toward DOWNTOWN. Make a U-TURN at CLARKSON ST onto WEST ST/ WEST SIDE HWY. End at 330 West ST.

Via Holland Tunnel
Take EXIT 1 toward WEST ST. Turn SLIGHT LEFT onto LAIGHT ST. Turn RIGHT onto WEST ST/WEST SIDE HWY. End at 330 West ST.

Parking
Parking is available at Pier 40. Please see the costs below:
Up to 12 hours - $21.96
Up to 24 hours - $27.03
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SCOPE New York 2010

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Photo by James Painter Belvin

NEW YORK- Building on Miami's overwhelming success, SCOPE launches its 2010 season with its flagship fair, SCOPE New York Art Show. SCOPE proudly returns to Manhattan's most famous cultural icon, Lincoln Center, with a glass facade pavilion situated in Lincoln Center's Damrosch Park, at the corner of 62nd Street and 10th Avenue. SCOPE New York is just blocks from the Armory Show and serviced daily by shuttles and pedicabs.

Last year's fair featured galleries from four continents and 20 countries, including China, Mexico, Japan, Korea, Brazil, Italy, France, Belgium, the Netherlands, Norway, Switzerland, Germany, UK, Spain, and Canada. SCOPE New York's invitees will uphold its unique tradition of solo and thematic group shows presented alongside museum-quality programming, collector tours, screenings, and special events. The fair opens to Press, SCOPE and Armory VIPs on Wednesday, March 3, 3-9pm with the FirstView benefit, a $100 charitable donation for all non-VIP cardholders.

Introducing artists, curators, and cutting-edge galleries to new audiences internationally has made SCOPE the most comprehensive destination for the emerging art world available anywhere. With art fairs in Miami, Basel, New York, London, and the Hamptons, SCOPE is proud to be an influential presence in the expanding global art market.

Location
Lincoln Center Damrosch Park
62nd Street and Amsterdam (10th Avenue)
New York, NY 10023

General Admission Fair Hours
Thursday | March 4 | noon - 8pm
Friday | March 5 | noon - 8pm
Saturday | March 6 | noon - 8pm
Sunday | March 7 | noon - 6pm

SCOPE FOUNDATION

Film Program | Daily | March 4 - 7
Thursday | March 4 | Martha Colburn | "Political Revolution in my Basement"
Friday | March 5 | A Shaded View on Fashion Film curated by Diane Pernet | A selection of films for A Shaded View on Fashion Film Festival
Saturday | March 6 | Zach Layton | "d.i.y. sci-fi"
Sunday | March 7 | Divya Mehra and Rammy Lee Park | "The Interruption" a hyperreal installation and selection of films from the MFA Film Program at Columbia University

Markt | Curated by Diane Pernet | March 4 - 7
PDA (Personal Development Auction)
Final Bid | Saturday March 6 | 6p

Admission
Free for VIP cardholders
FirstView | Wednesday Only | $100
General | Thursday - Sunday | $20
Student | Thursday - Sunday | $10

Subway
Take the 1 train to 66th Street/Lincoln Center Station or the 1, A, B, C, D to 59th Street/Columbus Circle and proceed towards 62nd Street on Columbus Avenue.


Bus
The M5, M7, M10, M11, M20 M66, and M104 bus lines all stop within one block of Lincoln Center.


By Car
From Long Island
Take Long Island Expressway to Midtown Tunnel. Follow signs to Uptown/West Side and go cross-town at 34th Street to 8th Avenue. Turn right onto 8th Avenue and proceed to 59th Street. Turn right onto Columbus Circle, making another right onto Broadway. Take Broadway to West 62nd Street and turn left. Cross Columbus Avenue. The Lincoln Center parking garage entrance is on the northern side of the street (right side).

From Southern New Jersey
Take the Lincoln or Holland Tunnels.
From Lincoln Tunnel take the exit on the left towards 40th Street and North. Turn left onto West 42nd Street. Turn right onto 10th Avenue, continuing all the way to 65th Street. Turn right onto West 65th Street. The Lincoln Center parking garage entrance is on the southern side of the street (right side).
From Holland Tunnel follow signs to Exit 1 (Uptown and Canal Street) into Laight Street. Follow Laight Street to West Side Highway (Joe DiMaggio Highway). Follow to 56th Street, staying to the right after 42nd Street. Turn right onto West 56th Street. Turn left onto 11th Avenue. Turn right on West 65th Street. Cross Amsterdam Avenue. Lincoln Center parking garage entrance is on the northern side of the street (right side).

From Northern New Jersey
Take I-95 North/US-9 North/US 1 North. This becomes I-95 North/Upper Level George Washington Bridge/US-9. Take the Henry Hudson Parkway/178th Street exit. Follow signs to Henry Hudson Parkway South/West Side Highway (Joe DiMaggio Highway). Merge onto Henry Hudson Parkway South. Take the West 79th Street (Boat Basin) exit. Follow the circle and exit onto 79th street. Turn right onto West End Avenue, heading south. Turn left onto 65th Street. Cross over Amsterdam Avenue, continuing on 65th Street. The Lincoln Center parking garage entrance is on south side of the street (right side).

From Southern Connecticut
Take I-95 South to Cross Bronx Expressway, taking the last Manhattan exit (leading towards George Washington Bridge). Follow the Henry Hudson Parkway South. Take the West 79th Street (Boat Basin) exit. Follow the circle and exit onto 79th street. Turn right onto West End Avenue, heading south. Turn left onto 65th Street. Cross over Amsterdam Avenue, continuing on 65th Street. The Lincoln Center parking garage entrance is on south side of the street (right side).
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VOLTA NY

VOLTA NY is the American incarnation of the successful young fair founded in Basel in 2005. VOLTA NY was conceived to continue the original mandate to create a tightly-focused, boutique event that is a place for discovery and a showcase for current art production and relevant contemporary positions—regardless of the artist or gallery’s age.

VOLTA NY is an invitational show, organized by art critic and Fair Director Amanda Coulson, to complement the offerings across town at The Armory Show, with whom VOLTA NY shares the VIP and Talks Programs and shuttles to and from both fairs. By putting the focus back on artists through exclusively featuring solo projects, VOLTA NY promotes a deep exploration of the work of its selected projects, an opportunity for discoveries that move beyond those afforded by a traditional art fair.

A platform for challenging, often complimentary, sometimes competing ideas about contemporary art, the strictly solo format is what gives the fair its unique character. While visitors have positively compared VOLTA NY to doing a series of intense studio visits, nonetheless the dedication to a single artist, while surely the most striking of presentations in any economic landscape, has always be something of a risk. The dedication and confidence shown by the exhibiting galleries to continue to commit themselves to a risky and challenging format has therefore given rise to this year’s title: No Guts No Glory, a phrase that can be applied both to the work on show, its creators and its supporters/presenters.

Previews
Thursday, March 4th, 2010

Guest of Honor: 11 am - 12 pm (accessible by invitation from VOLTA or with The Armory Show VIP card)
VIP: 12 pm - 2 pm

Public Hours Daily

Thursday, March 4th, 2010
2 pm - 8 pm
Friday 5th - Sunday 7th, March, 2010
11am - 7 pm
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The 22nd Annual Art Show

During the first week of March 2010, the international art world will converge in New York City during the 22nd annual Art Show, organized by the Art Dealers Association of America (ADAA) to benefit Henry Street Settlement. The 2010 edition of The Art Show continues ADAA's tradition of bringing the highest quality artworks to one monumental art exhibition space at the Park Avenue Armory. The 70 selected exhibitions, presented by the nation's leading art galleries, will feature museum-quality works ranging from 19th and 20th century Old Master works to recently completed contemporary painting, drawing, sculpture, photography and multi-media. The Art Show and its Gala Preview, on March 2, 2010, will benefit Henry Street Settlement and continue an art world institution.

March 3–7, 2010
Park Avenue Armory
Park Avenue at 67th Street
New York City

Admission $20

Wednesday – Saturday: noon to 8 pm
Sunday: noon to 6 pm
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March 01, 2010

LATENT: an En Foco exhibition Curated by Terry Boddie at Umbrella Arts + Projects

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Photo: © Ricky Day, Kalup Linzy Contemplation, 2009. This is The Life series. Digital c-print, 16" x 20"

I'm in a new group photography show here in New York and you are cordially invited

LATENT: an En Foco exhibition Curated by Terry Boddie

Featuring:
Wilfredo Benitez
Shraddha Borawake
Ricky Day
Vanina Feldsztein
Terri Garland
Rizzhel Mae Javier
Margaret LeJeune
Jaime Permuth
Wendy Phillips
Magdalena Solé
Stacey Tyrell
Elizabeth Valentin

March 3-27, 2010

ARTIST RECEPTION: Friday, March 12 from 6:00 to 9:00pm

Umbrella Arts + Projects
317 East 9th Street (between 1st & 2nd Ave)
New York, NY 10003
212.505.7196 / www.umbrellaarts.com

The theme Latent, refers not only to the process of photography, but the positive potential of the exhibiting photographers.

To learn more about En Foco, Inc, please visit www.enfoco.org

For more info on me visit my official website
www.rickyday.net





Introducing Dorian Gray: This party will NEVER get old!

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I've joined forces with Derrick Adams and Miss Nico Wheadon to create and exciting new party on Friday nights. The party is called Dorian Gray. It's a party centered around the art world, but open to everyone. Artists, curators, gallery owners, models, fashion professionals, regular people with a creative spirit, black, white, latino, straight, gay, bi, everyone is welcome. This event is our contribution to a new world where people come together in the spirit of creativity, love and all things funky.

Derrick Adams, Nico Wheadon and Ricky Day present

DORIAN GRAY
"This party will never get old"

Every Friday starting this Friday March 5, 2010
at Le Royale
21 Seventh Avenue (at the corner of Leroy Street)
10pm until 4am (Free before Midnight and $10 after)
21 and over with i.d.
Attire: Chic, but casual, creative and sexy (don't be afraid to let your creativity reign)
VIP bottle service available upon request. (advance table reservation suggested)

Dance-pop, hip hop, freestyle and b-more beats by our deejays:
Derrick Adams and Designer Imposter

Featuring special performances by:
Lainie Dalby
Jacolby Satterwhite
Tiny Dinosaur