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March 09, 2010

Urban Pop Life Gallery spotlight: Jonathan LeVine Gallery

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Jonathan LeVine Gallery exhibits a genre of work influenced by illustration, comic books, graffiti, street art and pop culture imagery. We represent a mix of emerging and mid-career level artists with an emphasis on cultivating new talent and creating an environment where artists can further develop their work. Stylistic and ideological tendencies shared by our artists create a fluid continuity within our program. Dissatisfaction with the conventional definitions of art and art making, an attraction to alternative subcultures and the creative energy inspired by the Do it Yourself ethic acts as a common thread. The works produced are primarily figurative with a strong sense of narration - the artist as storyteller.

The DIY attitude has helped shape our gallery's commitment to offering our space as one that encourages exploration. Bridging the gap between exhibiting artwork in the gallery setting, and ephemerally on the street, the challenge often faced by street artists is how to translate their imagery into a "whitebox" environment from it's context within the urban landscape. At Jonathan LeVine Gallery, artists are given complete freedom to fill the space with large scale pieces and incorporate the gallery walls into their work through complex and inventive installations. Past exhibitions have included alternative spaces in DUMBO, Brooklyn and mural projects throughout the city.

Since 2005, the first year established in New York, Jonathan LeVine Gallery has participated in a number of International Art Fairs during Art Basel week in Miami and Armory Arts Week in New York, cultivating an audience of international collectors and increasing visibility in the fine art arena. Additionally, the gallery's program has expanded beyond its space in Chelsea, collaborating with International galleries in presenting work by represented artists to new audiences overseas, in cities such as: Rome, Paris, London and Sao Paulo, Brazil. The goal is added exposure while creating a visual dialogue and cross-cultural exchange of ideas within our global community.

Jonathan LeVine Gallery remains focused on maintaining its mission of community, and commitment to providing our artists with a nurturing arena for experimentation and discussion.

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Group exhibition
February 27 thru March 27

NEW YORK, NY (January 26, 2010) — Jonathan LeVine Gallery will celebrate its fifth anniversary with a commemorative group exhibition featuring exceptional and exemplary new works by thirty-six artists who are either currently represented by the gallery or who have exhibited at the gallery in the past five years. The exhibition will be on view from February 27—March 27, 2010, and there will be an opening reception on Saturday, February 27, from 7—9pm.

Since 2005, Jonathan LeVine Gallery has been an important venue for Street Art (ephemeral work placed in public urban environments) and Pop Surrealism (work influenced by illustration, comic book art, and pop culture imagery). As such, the pieces in this exhibition—comprised of paintings, drawings, and sculptures—will be primarily figurative with a strong sense of narration.

Artists in this exhibition have developed prominent creative voices for themselves as individuals, while also playing valuable roles within the historical context of the larger Street Art and/or Pop Surrealism movements. All of them have been influential in shaping the gallery’s program, creating work with a unique counter-culture point of view.

In LeVine’s words: “I believe that my program represents a generational shift, and that the artists who I work with will continue to define the evolution of this genre.”

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About Jonathan LeVine

As a youth in the 1980s, LeVine recognized the appeal of countercultural aesthetics including punk flyers, comics, graffiti and tattoos. Beginning in 1994, LeVine became an independent curator, organizing exhibitions at punk and alternative rock venues in the NY/NJ area such as: CBGB, Webster Hall, Max Fish, and Maxwell's. By promoting these visual art forms through group shows in venues that were home to their musical counterparts, LeVine gave a home to this nascent art movement, early on.

In February 2001, LeVine opened his own gallery Tin Man Alley in New Hope, Pennsylvania. The gallery relocated to Philadelphia in late 2002. In January 2005, LeVine renamed and moved his gallery to the epicenter of the contemporary art world, Manhattan's Chelsea district.

Jonathan LeVine is pleased to continue cultivating new and long-standing relationships with featured artists and active collectors through his program at the gallery, participating in art fairs, and presenting special exhibitions in International locations.

For more info on me visit my official website
www.rickyday.net





March 07, 2010

Urban Pop Life: New Music from Malachi Rivers featuring Maria Bentley

March 05, 2010

A beautiful slide show

Check out this beautiful slide show of 2009 from the White House point of view. Politics aside these are simply beautiful images that I wanted to share.

http://www.flickr.com/photos/whitehouse/sets/72157623126418563/show/

DORIAN GRAY IS TONIGHT - DON'T MISS THE PARTY OF THE YEAR!

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I've joined forces with Derrick Adams and Miss Nico Wheadon to create and exciting new party on Friday nights. The party is called Dorian Gray. It's a party centered around the art world, but open to everyone. Artists, curators, gallery owners, models, fashion professionals, regular people with a creative spirit, black, white, latino, straight, gay, bi, everyone is welcome. This event is our contribution to a new world where people come together in the spirit of creativity, love and all things funky.

Derrick Adams, Nico Wheadon and Ricky Day present

DORIAN GRAY
"This party will never get old"

Every Friday starting this Friday March 5, 2010
at Le Royale
21 Seventh Avenue (at the corner of Leroy Street)
10pm until 4am (Free before Midnight and $10 after)
21 and over with i.d.
Attire: Chic, but casual, creative and sexy (don't be afraid to let your creativity reign)
VIP bottle service available upon request. (advance table reservation suggested)

Dance-pop, hip hop, freestyle and b-more beats by our deejays:
Derrick Adams and Designer Imposter

Featuring special performances by:
Lainie Dalby
Jacolby Satterwhite
Tiny Dinosaur

March 03, 2010

Urban Pop Life Video World Premiere: Estelle and Kanye West

For more info on me visit my official website
www.rickyday.net





NEW YORK ART FAIR WEEK

It's that time of year when all the Art Fairs are in town, PLUS the Whitney Biennial, PLUS a group photography show that I am participating in. So grab your walking shoes, some cab fare and your reading glasses and get out and enjoy great art from all over the world.

After you look at all the great art you can join Derrick Adams, Nico Wheadon and myself as we host a great new party:

Dorian Gray "This party will never grow old"
Check for details in a separate post. So for now here's the information on the largest fairs. Google NY Art Fairs to find out about other fairs and events.

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THE ARMORY SHOW
Piers 92 & 94

The Armory Show is America's leading fine art fair devoted to the most important art of the 20th and 21st centuries. In its eleven years, the fair has become an international institution. Every March, artists, galleries, collectors, critics and curators from all over the world make New York their destination during Armory Arts Week.

Twelfth Avenue at 55th Street
New York City

The Armory Show 2010 Opening Day takes place Wednesday, March 3rd for invited guests.
Opening Hours:
Thursday, March 4 - Saturday, March 6 Noon to 8 pm
Sunday, March 7 Noon to 7 pm

Piers 92 & 94 are located on Manhattan's far West side on the Hudson River (Twelfth Avenue) at 55th Street in the Passenger Ship Terminal complex. The piers are easily accessible by public transportation, taxi, and private vehicle. The nearest subway stop is four cross-town blocks east at 50th Street and Eighth Avenue.

Ticket prices

General Admission US$30
Students US$10
Groups (10+) US$15
Run of Show Pass (4 day) US$60
The Armory Show/VOLTA NY Pass US$40

Shuttle Bus Service
Shuttles are available between The Armory Show on Piers 92 & 94 and VOLTA NY on 34th street near 5th Avenue.

Mass Transit
Piers 92 & 94 can be reached by public transportation via the Eighth Avenue subway, E or C trains to 50th street, then via M50 bus line. The M50 bus runs West on 49th Street (to the pier) and East on 50th Street (from the pier) connecting at Eighth Avenue (E or C subway) and at Seventh Avenue (1 or 9 subway). Also, bus lines M16 and M42 provide service to 42nd Street and Twelfth Avenue. For subway and bus information and schedules, call (718) 330-1234 or click here.

By Car
From the Lincoln Tunnel, take 42nd Street west to Twelfth Avenue. Continue north on Twelfth Avenue to Piers 92 & 94 (at the Passenger Ship Terminal). From the Queens-Midtown Tunnel, go west via 34th Street to Twelfth Avenue. Continue north to the piers (at the Passenger Ship Terminal). Access to the piers for private cars via at 55th Street and Twelfth Avenue. All vehicles should follow signs for the Passenger Ship Terminal parking.

Parking
Roof top parking is available for all visitors and exhibitors. No reservations are necessary. Only cash and travelers checks are accepted. For more information, call (212) 246-5450. Additional public parking facilities are available across Twelfth Avenue and throughout the neighboring vicinity.
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PULSE Contemporary Art Fair

PULSE Contemporary Art Fair is the leading US art fair dedicated solely to contemporary art. Held annually in New York and Miami, PULSE bridges the gap between main and alternative fairs and provides participating galleries with a platform to present new works to a strong and growing audience of collectors, art professionals and art lovers.

The Fair is divided into two sections and is comprised of a mix of established and emerging galleries vetted by a committee of prominent international dealers. The IMPULSE section presents galleries invited by the Committee to present solo exhibitions of artist's work created in the past two years.

In addition, PULSE develops original cultural programming with a series of large-scale installations, its PULSE Play> video lounge, the PULSE Performance events, and the recently launched PULSE Profiles series of artists and curators talks. The PULSE Prize is awarded in New York and in Miami to one of the artists presented in the IMPULSE section. PULSE supports numerous nonprofit art organizations and schools.

PULSE New York
330 West Street @ West Houston
New York, NY 10014

Fair Hours

Thursday, March 4
Press and VIP Private Preview
9am - 12pm
Open to public 12pm - 8pm

Friday, March 5 12pm - 8pm
Saturday, March 6 12pm - 8pm
Sunday, March 7 12pm - 5pm

Admission

General Admission $20.00
Students/Seniors $15.00
Group Discount $12.00

Please note that the group discount applies to groups of ten or more.

Entrance for Children under 12 is free.

Shuttle Service

PULSE will offer a shuttle service, Thursday March 4 - Sunday March 7, between the Armory Show at Piers 92 and 94 and PULSE.

MASS TRANSIT

Via Subway
Take the 1 or 9 train to Houston Street. Walk west four blocks on Houston to the West Side Highway. 330 West is the building just before crossing the West Side Highway.

Via Bus
From the East. Take the #21 bus west on Houston Street to Washington Street. Walk west on Houston to the West Side Highway.

From the North or South. Take the #20 bus (Hudson Street north, 7th Avenue south) to Houston Street. Walk west on Houston to the West Side Highway.

DRIVING

East Side and New England
Take the FDR Drive south to the HOUSTON Street Exit Make a right onto HOUSTON and head west to the Hudson River.

Via Queens- Midtown Tunnel
Go Southwest on FDR DR and turn RIGHT onto E 34TH ST. Turn LEFT onto 12TH AVE/ WEST SIDE HWY. Continue to follow NY-9A S/WEST SIDE HWY. Make a U-TURN at CLARKSON ST onto West St. WEST SIDE HWY. End at 330 West ST.

Via Lincoln Tunnel
Start out going SOUTH on WEST SIDE HWY toward W 34TH ST. Continue to follow NY-9A S / WEST SIDE HWY. Make a U-TURN at CLARKSON ST onto WEST SIDE HWY. End at 330 West ST.

Via George Washington Bridge
Merge onto NY-9A S via EXIT 1 toward DOWNTOWN. Make a U-TURN at CLARKSON ST onto WEST ST/ WEST SIDE HWY. End at 330 West ST.

Via Holland Tunnel
Take EXIT 1 toward WEST ST. Turn SLIGHT LEFT onto LAIGHT ST. Turn RIGHT onto WEST ST/WEST SIDE HWY. End at 330 West ST.

Parking
Parking is available at Pier 40. Please see the costs below:
Up to 12 hours - $21.96
Up to 24 hours - $27.03
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SCOPE New York 2010

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Photo by James Painter Belvin

NEW YORK- Building on Miami's overwhelming success, SCOPE launches its 2010 season with its flagship fair, SCOPE New York Art Show. SCOPE proudly returns to Manhattan's most famous cultural icon, Lincoln Center, with a glass facade pavilion situated in Lincoln Center's Damrosch Park, at the corner of 62nd Street and 10th Avenue. SCOPE New York is just blocks from the Armory Show and serviced daily by shuttles and pedicabs.

Last year's fair featured galleries from four continents and 20 countries, including China, Mexico, Japan, Korea, Brazil, Italy, France, Belgium, the Netherlands, Norway, Switzerland, Germany, UK, Spain, and Canada. SCOPE New York's invitees will uphold its unique tradition of solo and thematic group shows presented alongside museum-quality programming, collector tours, screenings, and special events. The fair opens to Press, SCOPE and Armory VIPs on Wednesday, March 3, 3-9pm with the FirstView benefit, a $100 charitable donation for all non-VIP cardholders.

Introducing artists, curators, and cutting-edge galleries to new audiences internationally has made SCOPE the most comprehensive destination for the emerging art world available anywhere. With art fairs in Miami, Basel, New York, London, and the Hamptons, SCOPE is proud to be an influential presence in the expanding global art market.

Location
Lincoln Center Damrosch Park
62nd Street and Amsterdam (10th Avenue)
New York, NY 10023

General Admission Fair Hours
Thursday | March 4 | noon - 8pm
Friday | March 5 | noon - 8pm
Saturday | March 6 | noon - 8pm
Sunday | March 7 | noon - 6pm

SCOPE FOUNDATION

Film Program | Daily | March 4 - 7
Thursday | March 4 | Martha Colburn | "Political Revolution in my Basement"
Friday | March 5 | A Shaded View on Fashion Film curated by Diane Pernet | A selection of films for A Shaded View on Fashion Film Festival
Saturday | March 6 | Zach Layton | "d.i.y. sci-fi"
Sunday | March 7 | Divya Mehra and Rammy Lee Park | "The Interruption" a hyperreal installation and selection of films from the MFA Film Program at Columbia University

Markt | Curated by Diane Pernet | March 4 - 7
PDA (Personal Development Auction)
Final Bid | Saturday March 6 | 6p

Admission
Free for VIP cardholders
FirstView | Wednesday Only | $100
General | Thursday - Sunday | $20
Student | Thursday - Sunday | $10

Subway
Take the 1 train to 66th Street/Lincoln Center Station or the 1, A, B, C, D to 59th Street/Columbus Circle and proceed towards 62nd Street on Columbus Avenue.


Bus
The M5, M7, M10, M11, M20 M66, and M104 bus lines all stop within one block of Lincoln Center.


By Car
From Long Island
Take Long Island Expressway to Midtown Tunnel. Follow signs to Uptown/West Side and go cross-town at 34th Street to 8th Avenue. Turn right onto 8th Avenue and proceed to 59th Street. Turn right onto Columbus Circle, making another right onto Broadway. Take Broadway to West 62nd Street and turn left. Cross Columbus Avenue. The Lincoln Center parking garage entrance is on the northern side of the street (right side).

From Southern New Jersey
Take the Lincoln or Holland Tunnels.
From Lincoln Tunnel take the exit on the left towards 40th Street and North. Turn left onto West 42nd Street. Turn right onto 10th Avenue, continuing all the way to 65th Street. Turn right onto West 65th Street. The Lincoln Center parking garage entrance is on the southern side of the street (right side).
From Holland Tunnel follow signs to Exit 1 (Uptown and Canal Street) into Laight Street. Follow Laight Street to West Side Highway (Joe DiMaggio Highway). Follow to 56th Street, staying to the right after 42nd Street. Turn right onto West 56th Street. Turn left onto 11th Avenue. Turn right on West 65th Street. Cross Amsterdam Avenue. Lincoln Center parking garage entrance is on the northern side of the street (right side).

From Northern New Jersey
Take I-95 North/US-9 North/US 1 North. This becomes I-95 North/Upper Level George Washington Bridge/US-9. Take the Henry Hudson Parkway/178th Street exit. Follow signs to Henry Hudson Parkway South/West Side Highway (Joe DiMaggio Highway). Merge onto Henry Hudson Parkway South. Take the West 79th Street (Boat Basin) exit. Follow the circle and exit onto 79th street. Turn right onto West End Avenue, heading south. Turn left onto 65th Street. Cross over Amsterdam Avenue, continuing on 65th Street. The Lincoln Center parking garage entrance is on south side of the street (right side).

From Southern Connecticut
Take I-95 South to Cross Bronx Expressway, taking the last Manhattan exit (leading towards George Washington Bridge). Follow the Henry Hudson Parkway South. Take the West 79th Street (Boat Basin) exit. Follow the circle and exit onto 79th street. Turn right onto West End Avenue, heading south. Turn left onto 65th Street. Cross over Amsterdam Avenue, continuing on 65th Street. The Lincoln Center parking garage entrance is on south side of the street (right side).
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VOLTA NY

VOLTA NY is the American incarnation of the successful young fair founded in Basel in 2005. VOLTA NY was conceived to continue the original mandate to create a tightly-focused, boutique event that is a place for discovery and a showcase for current art production and relevant contemporary positions—regardless of the artist or gallery’s age.

VOLTA NY is an invitational show, organized by art critic and Fair Director Amanda Coulson, to complement the offerings across town at The Armory Show, with whom VOLTA NY shares the VIP and Talks Programs and shuttles to and from both fairs. By putting the focus back on artists through exclusively featuring solo projects, VOLTA NY promotes a deep exploration of the work of its selected projects, an opportunity for discoveries that move beyond those afforded by a traditional art fair.

A platform for challenging, often complimentary, sometimes competing ideas about contemporary art, the strictly solo format is what gives the fair its unique character. While visitors have positively compared VOLTA NY to doing a series of intense studio visits, nonetheless the dedication to a single artist, while surely the most striking of presentations in any economic landscape, has always be something of a risk. The dedication and confidence shown by the exhibiting galleries to continue to commit themselves to a risky and challenging format has therefore given rise to this year’s title: No Guts No Glory, a phrase that can be applied both to the work on show, its creators and its supporters/presenters.

Previews
Thursday, March 4th, 2010

Guest of Honor: 11 am - 12 pm (accessible by invitation from VOLTA or with The Armory Show VIP card)
VIP: 12 pm - 2 pm

Public Hours Daily

Thursday, March 4th, 2010
2 pm - 8 pm
Friday 5th - Sunday 7th, March, 2010
11am - 7 pm
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The 22nd Annual Art Show

During the first week of March 2010, the international art world will converge in New York City during the 22nd annual Art Show, organized by the Art Dealers Association of America (ADAA) to benefit Henry Street Settlement. The 2010 edition of The Art Show continues ADAA's tradition of bringing the highest quality artworks to one monumental art exhibition space at the Park Avenue Armory. The 70 selected exhibitions, presented by the nation's leading art galleries, will feature museum-quality works ranging from 19th and 20th century Old Master works to recently completed contemporary painting, drawing, sculpture, photography and multi-media. The Art Show and its Gala Preview, on March 2, 2010, will benefit Henry Street Settlement and continue an art world institution.

March 3–7, 2010
Park Avenue Armory
Park Avenue at 67th Street
New York City

Admission $20

Wednesday – Saturday: noon to 8 pm
Sunday: noon to 6 pm
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March 01, 2010

LATENT: an En Foco exhibition Curated by Terry Boddie at Umbrella Arts + Projects

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Photo: © Ricky Day, Kalup Linzy Contemplation, 2009. This is The Life series. Digital c-print, 16" x 20"

I'm in a new group photography show here in New York and you are cordially invited

LATENT: an En Foco exhibition Curated by Terry Boddie

Featuring:
Wilfredo Benitez
Shraddha Borawake
Ricky Day
Vanina Feldsztein
Terri Garland
Rizzhel Mae Javier
Margaret LeJeune
Jaime Permuth
Wendy Phillips
Magdalena Solé
Stacey Tyrell
Elizabeth Valentin

March 3-27, 2010

ARTIST RECEPTION: Friday, March 12 from 6:00 to 9:00pm

Umbrella Arts + Projects
317 East 9th Street (between 1st & 2nd Ave)
New York, NY 10003
212.505.7196 / www.umbrellaarts.com

The theme Latent, refers not only to the process of photography, but the positive potential of the exhibiting photographers.

To learn more about En Foco, Inc, please visit www.enfoco.org

For more info on me visit my official website
www.rickyday.net





Introducing Dorian Gray: This party will NEVER get old!

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I've joined forces with Derrick Adams and Miss Nico Wheadon to create and exciting new party on Friday nights. The party is called Dorian Gray. It's a party centered around the art world, but open to everyone. Artists, curators, gallery owners, models, fashion professionals, regular people with a creative spirit, black, white, latino, straight, gay, bi, everyone is welcome. This event is our contribution to a new world where people come together in the spirit of creativity, love and all things funky.

Derrick Adams, Nico Wheadon and Ricky Day present

DORIAN GRAY
"This party will never get old"

Every Friday starting this Friday March 5, 2010
at Le Royale
21 Seventh Avenue (at the corner of Leroy Street)
10pm until 4am (Free before Midnight and $10 after)
21 and over with i.d.
Attire: Chic, but casual, creative and sexy (don't be afraid to let your creativity reign)
VIP bottle service available upon request. (advance table reservation suggested)

Dance-pop, hip hop, freestyle and b-more beats by our deejays:
Derrick Adams and Designer Imposter

Featuring special performances by:
Lainie Dalby
Jacolby Satterwhite
Tiny Dinosaur

February 28, 2010

The new Old Spice commercial that debuted during the Superbowl is a huge hit...see why

February 26, 2010

Urban Pop Life Listening Room featuring new music from Janet, Estelle and Kelis

The beautiful ladies and three takes on potential dancefloor hits. Do you like any of these joints? Do any of these tunes 'POP?' You decide.

Janet Jackson - HeartBeat Love Feat. Pitbull, Machel Montano & Rock City


Music by Singersroom.com | More on Janet Jackson

Estelle - Freak Feat. Kardiinal Offishall


Music by Singersroom.com | More on Estelle

Kelis - Scream and Shout


Music by Singersroom.com | More on Kelis

Dean Monogenis Above the Railing, Above the World 5 March - 18 April, 2010 at Collette Blanchard Gallery

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Dean Monogenis
Above the Railing, Above the World
5 March - 18 April, 2010

Opening Reception Friday, March 5, 6-9

Collette Blanchard Gallery is pleased to present its first gallery exhibition with Dean Monogenis entitled "Above the Railing, Above the World", on view from March 5th - April 18th.

Monogenis continues his presentation of inventive landscapes that explore the natural progressions of entropy. The subjects of his works depict architecture in different phases of construction including buildings, tents, antennas, electrical posts, windmills and scaffoldings. The focus however is not on the placement of each structure within the landscape but rather on the notion of each monument as a means to articulate transition and purpose. Monogenis re-positions real structures from his encounters in his ever-changing neighborhood in eastern Williamsburg to communities and places he visits around the world. The process of conceptually removing a building from its natural environment and rendering it in an imaginative space with lush landscape and dramatic skies challenges the visual, historical and resourceful components of traditional city planning.

Done in acrylic on wood panels with a high gloss finish, the paintings reveal a distinction between the bold flat areas used to create the architecture with the tightly rendered areas of rock formations and highly textured depictions of greenery. A building can serve two purposes--it can be built as a functioning space or it can be non-space simply existing as a structure with physical matter supporting its construction. Aside from his experience of living among the architecture that is represented in the work, Monogenis's interest in architectural forms is inherent from his many childhood experiences touring ancient ruins while visiting family in Greece. His works often includes depictions of older monuments shown in comparison with contemporary architecture.

Mr. Monogenis received a BFA from the School of the Art Institute of Chicago in 1996. Monogenis is included in the group exhibition Skeptical Landscape at the Herter Art Gallery, University of Massachusetts in Amherst. His work has been exhibited in group shows at Robert Miller Gallery, Annina Nosei Gallery and Priska C. Juschka Fine Art and iis currently on view at Walter maciel Gallery. He was recently featured in New American Paintings. A series of ten images was reproduced in the September 2009 edition of the Georgia Review. A 66 page catalogue with a an essay by curator Elizabeth Grady will accompany the exhibition.

For more information, please contact the gallery at 646.249.7720 or gallery@colletteblanchard.com.

colletteblanchard.com

The Karate Kid is coming this summer, check out the trailer here and now

February 25, 2010

The Whitney Biennial opens today in NYC

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It's that magical time again. Opening today is the 75th Whitney Biennial at the Whitney Museum of American Art in NYC.

This year marks the seventy-fifth edition of the Whitney’s signature exhibition. While Biennials are always affected by the cultural, political, and social moment, this exhibition “simply titled 2010” embodies a cross section of contemporary art production rather than a specific theme. To underscore the idea of time as an element of the Biennial and to demonstrate the influence of the past on 2010, familiar and less well-known artists from previous exhibitions are brought together in Collecting Biennials, an accompanying installation drawn from the Museum’s collection on view on the fifth floor. Balancing different media ranging from painting and sculpture to video, photography, performance, and installation, 2010 also serves as a two-way telescope through which the Whitney’s past and future can be observed.

Whitney Museum of American Art
945 Madison Avenue at 75th Street
New York, NY 10021
General Information: (212) 570-3600
info@whitney.org

How to get there:
Subway: 6 Train to 77th Street
Bus: M1, M2, M3, M4 to 74th Street
Car: Two parking garages offer
discounts with Whitney ticket
validation.

General admission: $18
Ages 19–25: $12
Ages 62 and over: $12
Full-time students: $12
Ages 18 and under: FREE
Members: FREE

Admission is pay-what-you-wish on Fridays, 6–9 pm

Tickets include admission to all current exhibitions.

Check out these videos from a couple of Biennial artists

Video Flashback: TLC

I miss my girls dearly. TLC is one of the biggest selling musical groups of all time. Check out these two classic videos from TLC. R.I.P. Lisa "Left Eye" Lopes.

JOSH AZZARELLA at DCKT Contemporary in NYC

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Untitled #86 (Lopez), 2009, Cibachrome, edition of 3 + 1 AP, 10 x 10" image

DCKT Contemporary is pleased to present new photographs by JOSH AZZARELLA. AZZARELLA manipulates images from cinema, journalism and amateur photography. His photographs muddy the waters between the artificial beauty of a cinematic set and the inherent beauty of the natural landscape. Absent their most significant events, AZZARELLA’s images raise questions about how our society constructs a narrative of our collective history.

The emptying of the photographs presents each scene in its formal beauty but leaves a ghost of its narrative past. The viewer is tempted to draw relational lines between individual photographs and to decipher patterns and groupings, taking cues from color and film grain. Movie stills, homemade images and documentary footage mix together, as in our collective memory. How individual and collective memories form, the possibilities of confusing memories with realities or creating memories where none previously existed are all key to his oeuvre.

In one photograph vines drape across branches, hearkening documentary photographs of the Vietnam War although its true source is the B movie classic Creature from the Black Lagoon. Emptied seascapes recall the stillness of Hiroshi Sugimoto photographs. The backs of two men on an Elvis Presley film set evoke 1960s family photographs, perhaps of a picnic.

AZZARELLA lives and works in New York City. Solo and group exhibitions include Mark Moore Gallery (Santa Monica, CA); Vancouver Art Gallery (British Columbia); Kavi Gupta Gallery (Chicago); Akademie der Künste (Berlin). He was the recipient of the 2006 Emerging Artist Award and a solo exhibition from The Aldrich Contemporary Art Museum (Ridgefield, CT). His work is included in the permanent collection of the San Francisco Museum of Modern Art. This is his third solo exhibition with DCKT Contemporary.

For more info on me visit my official website
www.rickyday.net





LeBasse Projects presents: 'Deva Loka: Los Angeles ' A Solo Exhibition by Yoshitaka Amano Los Angeles, CA

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LeBasse Projects presents:
'Deva Loka: Los Angeles '
A Solo Exhibition by Yoshitaka Amano

Los Angeles, CA - LeBasse Projects is excited to present, 'Deva Loka' an exhibition of work from influential Japanese artist Yoshitaka Amano.

Legendary artist Yoshitaka Amano will make a rare U.S. appearance with his newest exhibit, DEVA LOKA, created especially for a U.S exhibition and named for the ancient Indian land of God. As an ode to his childhood love for American comics, culture and automobiles, Amano's latest breathtaking and vibrant pieces are boldly coated with auto paint and metallic glitter.

Amano is widely acclaimed for his work in animation and video games. He is renowned for designing the characters for the hit video game, Final Fantasy, as well as for anime films including Vampire Hunter D, Guin Saga, Final Fantasy, and Front Mission.

"Between the late 60's and the 70's, and during my early years in the art world, I was greatly influenced by American comic books and pop culture. I'd like to show my gratitude for the inspiration America gave me with this exhibit. With the theme of DEVA LOKA, all of my concepts and influences are able to come together, centered in one place. I hope everyone enjoys my show."

Deva Loka will be Amano's first major exhibition in Los Angeles in nearly a decade.

February 20th through March 13th
Opening Reception: Saturday, February 20th, 7 to 10pm

For additional inquiries or preview please contact:
Beau Basse, Gallery Director
at beau@lebasseprojects.com or 310.558.0200

www.lebasseprojects.com

For more info on me visit my official website
www.rickyday.net





New work at Sloan Fine Art in NYC

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Sloan Fine Art is pleased to present Just Off, a group exhibition curated by Peter Drake and Alix Sloan in the front gallery and Always Moving, a solo exhibition by Ryan Scully in the project room.

The most profoundly uncanny moments in life aren’t recognizable as such. They are like a ringing in the ears or a frame permanently askew, the missing object on a mantelpiece that lets you know that the scene has been disturbed. For Just Off, curators Peter Drake and Alix Sloan have brought together eleven uncannily like-minded emerging artists. With disconnected gestures, anatomical drawings of non-existent creatures, detritus still lives that remind one of ceramic figurines and everyday environments disrupted by unsettling forces, their imagery is similarly, subtly, disquietingly unhinged. The collected works are at their core familiar and beautiful but together they are undeniably and intriguingly Just Off.

Peter Drake is an artist and curator living in New York City. Curated exhibitions include Normal at Linda Warren Gallery and The Burbs at DFN Gallery.

Ryan Scully grew up in the shadow of the DOE Hanford Nuclear Site in Richland, WA. The unique influence of dependence on a controversial industry, a striking desert landscape and the ominous importance of resources deeply impacted the young artist’s development. In Always Moving, his canvases are populated with rough landscapes and amorphous characters in a state of anxious flux. Rocky overhangs struggle to break free. Threatening clouds sweep in and out of frame. Multiple inhabitants scurry towards perceived safety or to join in a group offense. These elements share an unsettling yet cooperative relationship. They are in a state of push and pull, an ever twisting but also evolving relationship in which life and it’s environment struggle against each other yet ultimately become equal and find space to co-exist.

Ryan Scully earned his BFA from Central Washington University and his MFA from the New York Academy of Art. His work has been exhibited nationwide and will be included in “New American Paintings, No. 86” on newsstands Spring of 2010. He lives and works in Brooklyn.

Sloan Fine Art is located at 128 Rivington Street on the Lower East Side of New York City. Hours are Wednesday to Sunday, noon to 6, and by appointment

For more info on me visit my official website
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Sofi Zezmer: Remote Control February 27 - April 3, 2010 at Mike Weiss Gallery

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Brazil LS1 / 2010 / Plastic, metal / 63 x 49 1/4 x 35 3/8 inches (160 x 125 x 90 cm)

Sofi Zezmer: Remote Control
February 27 - April 3, 2010
Opening Saturday February 27, 6 - 8pm

Mike Weiss Gallery presents Remote Control, a multimedia installation including sculpture, photography and drawing by artist Sofi Zezmer. This is the artist’s third solo exhibition at Mike Weiss Gallery. Her use of the fragments of manmade, mostly synthetic materials shift the common definition of the objects we use to inform our everyday lives and confront the viewer with his or her own relationship to consumption, mass production and overflow.

With an engineer’s precision, Zezmer constructs her works by a gradual additive process dependent on intuitive responses to the materials and objects she uses forming color-saturated assemblages. Evolving out of a large selection of manmade curiosities, each piece takes on an identity and physical body of its own; some remain self-contained in their form while other spread out along the walls like micro organisms.

Among the abundant elements she incorporates are objects which in their original context were distinctly purposeful such as drinking straws, IV drip tubing, construction netting, film, foil, packing materials, bicycle helmets, cable ties and funnels. In fusing the elements and breaking them down, Zezmer disrupts the common meaning assigned to the items and calls into question our own familiarity with them. Zezmer’s sculptures suggest irrational Duchampian hybrids of mechanical and biological systems. They are embodiments of the complexity of life in the modern age, ruminations on the omnipresence of mass-production, space travel and biotechnology.

Sofi Zezmer structures some of her recent works as interactive sites, inviting simultaneously accessible multiple viewpoints, which provoke conflicting chains of associations. REM LS1, for instance, consists of a mobile, translucent panel attached to the wall with two hinges. The sculpture literally occurs on both sides of the panel as well as in between the two sides. Similarly, the large hanging work Brazil LS1 hovers at the viewer’s eye-level above ground and rotates slowly, disclosing simultaneously numerous vantage points.

Sofi Zezmer lives and works in Germany. Her work has been exhibited in numerous international galleries and museums. Most notable were her solo exhibition at Museum Wiesbaden, at the 21st Century Museum of Contemporary Art, Kanazawa, Japan and her forty two foot long hanging sculpture, Es Darf Kein Mangel Herrschen, commissioned by the NASPA Bank, Wiesbaden, Germany.


For more information please contact Helene Necroto, Director: 212.691.6899 or helene@mikeweissgallery.com

mike weiss gallery
520 west 24th street
new york, new york 10011
mikeweissgallery.com

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February 22, 2010

Jason Horowitz's provocative large-scale and extreme close-up photographs of expressive drag queens conjure a multitude of reactions at the Curators Office in Washington D.C.

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Horowitz continues his ongoing interest in exploring the intersection of landscape and portraiture and how hyper-realism morphs into abstraction. Shot with the same "glamour" lighting set-up used for fashion images, these photographs subvert that process to look at what is real rather than ideal.

In the new body of work entitled DRAG, a new psychological element enters the artist's earlier explorations of faces and bodies. The theatrical artifice of the make-up, similar to a mask, is at once concealing and revealing. We find ourselves shocked, drawn in, immersed, fascinated, yet a bit squeamish. Horowitz masterfully plays with the tension between attraction and repulsion. The over-the-top vamping and exhibitionist joy of drag queens is tempered by a simultaneous sadness and introspection. By exploding scale, Horowitz reveals not only the fascinating visual terrain of the face but also challenges our own hidden biases about femininity and masculinity, beauty and ugliness, gay culture, race, sexuality, and aging.

Horowitz initiated this series by shooting Washington DC's acclaimed drag queen, Shi-Queeta Lee. Word spread quickly among her friends, so Horowitz was able to photograph many of the city's finest performers over the past two years.

Curators Office
1515 14th St NW
Suite 201
Washington, DC
20005

Wednesday - Saturday
12 - 6pm and by appointment

phone: 202-387-1008
fax: 202-387-1006

For more info on me visit my official website
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Kehinde Wiley Pumas...R U READY?

Elene Usdin Femmes d'Interieur Photographs and Illustrations at

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(Infante on sofa d'après Velasquez)

Elene Usdin
Femmes d'Interieur
Photographs and Illustrations
Opening Reception with the Artist, Thursday, February 18, 2010 (6-8PM)
Exhibition: February 18 - March 27, 2010

The exhibition will feature unique hand-painted selections from Usdin's newest series as well as digital based collage editions and un ensemble petite of original c-prints selected and editioned by the artist. The exhibition will be on view from February 18 - March 27, 2010. Elene Usdin will be at the opening reception.

For more information please visit www.farmanigallery.com or email us at info@farmanigallery.com. We can also be reached via phone at 718-578-4478.

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(Penelope d'après Ghirlandaio)

The Farmani Gallery is located at 111 Front St., Ste. 212, Brooklyn, NY in the DUMBO neighborhood between Washington and Adams St. By subway take A or C to High St., F to York St. or 2 and 3 to Clark St. Station. Gallery hours: Wed. – Sat.: 1 – 6PM. Information: www.farmanigallery.com or info@farmanigallery.com or ph# 718-578-4478.

For more info on me visit my official website
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'Deva Loka: Los Angeles ' A Solo Exhibition by Yoshitaka Amano at LeBasse Projects in Culver City, California

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'Deva Loka: Los Angeles '
A Solo Exhibition by Yoshitaka Amano

LeBasse Projects is excited to present, 'Deva Loka' an exhibition of work from influential Japanese artist Yoshitaka Amano.

Legendary artist Yoshitaka Amano will make a rare U.S. appearance with his newest exhibit, DEVA LOKA, created especially for a U.S exhibition and named for the ancient Indian land of God. As an ode to his childhood love for American comics, culture and automobiles, Amano¹s latest breathtaking and vibrant pieces are boldly coated with auto paint and metallic glitter.

Amano is widely acclaimed for his work in animation and video games. He is renowned for designing the characters for the hit video game, Final Fantasy, as well as for anime films including Vampire Hunter D, Guin Saga, Final Fantasy, and Front Mission.

"Between the late 60's and the 70's, and during my early years in the art world, I was greatly influenced by American comic books and pop culture. I'd like to show my gratitude for the inspiration America gave me with this exhibit. With the theme of DEVA LOKA, all of my concepts and influences are able to come together, centered in one place. I hope everyone enjoys my show."

Deva Loka will be Amano's first major exhibition in Los Angeles in nearly a decade.

February 20th through March 13th
Opening Reception: Saturday, Ferbuary 20th, 7 to 10pm

www.lebasseprojects.com

For more info on me visit my official website
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February 20, 2010

Busta and Janet: What a beautiful video, remember this?

February 19, 2010

Snickers genius new commercial

February 18, 2010

Paintings by Ted Milligan

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NATHAN SKILES: Black Forest / White Lightning & HEATHER SHERMAN: Feral at SLOAN FINE ART

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(Image left: Nathan Skiles, “The Vanitas of Vineta B," 2009, corrugated plastic & foam rubber, 36" x 32" x 10"
Image right: Heather Sherman, "Suck It, Suburbia," 2009, oil on paper, 38" x 50")

NATHAN SKILES: Black Forest / White Lightning

HEATHER SHERMAN: Feral

OPENING RECEPTION: Wednesday, January 27th, 2010 from 6 to 8 pm

EXHIBITION: January 27 through February 20, 2010

SLOAN FINE ART
128 Rivington Street
(corner of Norfolk)
New York, NY 10002
212.477.1140
sloanfineart.com

Sloan Fine Art, in conjunction with Greene Contemporary, is pleased to present Black Forest / White Lightning by Nathan Skiles in the front gallery and Feral by Heather Sherman in the project room.

In Black Forest / White Lightning, Nathan Skiles presents a collection of densely adorned cuckoo clocks, ranging from the intricately elegant to the over-the-top outrageous, as a means to invigorate his method of associative image making and feed his interest in the incongruous. While the clocks lend themselves easily to observations on the convenient clichés and “rules” of time and space, specific (and repeated) themes within the works expand beyond immediate associations and evolve into musings on the self-consciousness and limits popularly ascribed to these rules. Specifically, in “Two Headed Boy Part 1” and the pair “The Vanitas of Vineta (A & B),” Skiles uses iconography such as the ouroborus, a wishbone, the Cottingley Fairies, George Washington’s wooden teeth and the Inverted Jenny Stamp to investigate how time, space, legend and chance influence our perceptions of identity, continuity, value and truth. And with his innovative use of foam rubber as his primary material, Skiles tricks the eye and obliterates the baggage of immediate recognition, further challenging his audience to look beyond the immediate and investigate the core issues presented in his work.

Nathan Skiles earned his BFA from Ringling School of Design and his MFA from Montclair State University. This is his second solo exhibition in New York.
Three years ago, Heather Sherman purchased a mysterious bag of Kodak slides (meticulously organized and labeled “Puppies,” “Vacation,” “Christmas,” etc.) from a thrift store in Florida. While buzzing and clicking through them in her 70’s era slide projector, the artist found her voyeuristic exploration of these people’s lives exposed connections to, and elements of, her own past. In a photograph of lawn chairs, she saw the New Year’s Eve spent drunk and alone, watching neighbors cheerfully light fireworks while quietly hating them. In a slide of two German Shepherds eating from a woman’s hand, she remembered the day she witnessed her mother being attacked by the family dog. And in their fenced-off New Jersey backyard, she envisioned the golf course she grew up on, and regularly vandalized - a bored, rich, gay teenager acting out in the suburbs of Orlando, Florida. In Feral, Sherman projects her psychology onto these strangers and their memories, using them as a vehicle to confront her own personal history. Some of the stories are fictional, some autobiographical, but all reinforce the need for connectedness and feelings of alienation so rampant in, and integral to, suburbia.

Heather Sherman earned her BFA at Ringling School of Design in Florida before fleeing to New York where she will complete her MFA at NYU this year.
Through his gallery Greene Contemporary, and now as an independent curator and consultant, Jonathan Greene strives to discover, encourage and present emerging and mid-career artists with a commitment and dedication to creating innovative work in a wide range of mediums. Both Nathan Skiles and Heather Sherman exhibited previously at Greene Contemporary. This is the first collaboration between Greene Contemporary and Sloan Fine Art.

Sloan Fine Art is located at 128 Rivington Street on the Lower East Side of New York City. Hours are Wednesday to Sunday, noon to 6, and by appointment.

For more info on me visit my official website
www.rickyday.net





February 17, 2010

Superflat First Love by Takashi Murakami for Louis Vuitton

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Titouan Lamazou Women February 20 - March 27, 2010

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Lola, Sydney, Australia, 2005 . Pigment print.

Titouan Lamazou
Women
February 20 - March 27, 2010

Opening Reception for the Artist:
Saturday, February 20th
6:30 - 8:30 pm
Adamson Gallery is pleased to present an exhibition of new photographs by Titouan Lamazou. Lamazou is an artist but also a documentarian, ethnographer, and it might be argued, an activist and humanitarian. For six years, Lamazou has traveled the world photographing 230 women and recording their biographies. The resulting images are beautiful and sometimes haunting. They reveal an artist that has a unique eye into the experiences of the peoples he encounters.

Titouan Lamazou has been voyaging around the globe nearly his entire life. Born in 1955 in Morocco, at age seventeen he decided to be a navigator and spent the next several years sailing on the seas of the world. In 1990, he won the Vendée Globe, a race around the world. Long accustomed to documenting the people and sites he encountered on his travels via photography, drawing, painting and even film, Lamazou decided to embark on his current project in 2001 and was named a United Nations Educational, Scientific & Cultural Organization "Artist for Peace," a title that reinforces the humanitarian aspect of his project. The result is a collection of photographs, sketches and video recordings, which have been exhibited worldwide and collected into several catalogues published by Gallimard, as well as shown on short segments on French television.

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Katrine and Noris, Cali, Columbia, 2005. Pigment print.

At Adamson Gallery, Lamazou will be exhibiting some of the photographs from the project, beautifully rendered as large-scale digital prints. Each shot has hyper resolution and perspective, which Lamazou achieves by shooting as many as 200 images for each scene, which are then constructed into a mimetic image. This gives the resulting large format print a viewpoint that cannot be approximated by any camera lens and more closely mimics how we view scenes. Although each photograph tells a compelling story, their presence alongside one another is a powerful commentary on the commonalities and differences of experience around the globe.

Lamazou has the gift of rendering images that are remarkably full of narrative. Each woman poses in her own environment, surrounded by items that hint at the circumstances surrounding her life. In the photograph, "Lola, Sydney Australia, 2005," both the subject and her domestic surroundings are clad in leopard print. Behind her hangs a large portrait of the musician Jimi Hendrix, and above her head, a chandelier draped in foliage. Her head is titled slightly towards a barely visible window. We do not know anything about Lola, but we are compelled by what has been revealed. "Daniela, Bulgaria, 2006" is photographed with several children, looking over her shoulder as she walks to a dilapidated shack hung with sheets for insulation. Her story is all too familiar, but personalized in a unique way in the context of the other photographs. Together, the images begin to tell the story of the experience of women throughout the world.

To view more images from the exhibition, please visit our website. For more information, please contact Laurie Adamson or Erin Boland at (202) 232-0707 or email gallery@adamsongallery.com.
ADAMSON GALLERY
1515 fourteenth street nw
washington dc 20005

tel: 202.232.0707
web:www.adamsongallery.com

hours of operation:
tuesday - saturday
10:30 am - 5:30 pm

For more info on me visit my official website
www.rickyday.net






THE TILLER EFFECT, February 11 – March 13, 2010 at NYSG

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Charlotte Becket, Inkblot V (detail), 2009, Insulation tape, plastic, motors, 16” x 36” x 19”

THE TILLER EFFECT

February 11 – March 13, 2010

Artists Reception: February 12, 2010 7-9pm

Charlotte Becket, Christian Maychack, Chad Mitchner, Kristine Moran, Benjamin Tiven
Curated by: Emmy Mikelson

NY Studio Gallery is pleased to present The Tiller Effect. The title derives from an expression describing certain steering mechanisms that entail turning in the opposite direction of where you want to go - turn left to go right, turn right to go left. It is a counterintuitive movement that involves a rhythmic balance of contradiction.

The artists in the show are equally engaged with movements or gestures that disrupt an intuitive sense of balance. Form, material, and intention are explored as unstable states and presented at the threshold of disequilibrium. Balance is antithetically conceived of as a dynamic and fluctuating state. The work within the show is perpetually disrupting a rational Euclidean plane and advocating for a space in which the subject is constantly negotiating her/his environment.

Charlotte Becket’s kinetic sculptures move slowly – sometimes imperceptibly – as their looping, rhythmic motion transforms these motorized machines into figural abstractions or landscapes. Her recent work includes wall mounted geometric forms with black-mirrored surfaces. As the forms slowly shift and redirect light they become hallucinogenic and unstable.

Christian Maychack’s newest sculpture consists of a towering architecture of sorts, constructed from marbleized Magic-Sculpt, and grafted onto a living houseplant. The construction simultaneously constrains and redirects the growth of the plant, while becoming a necessary support. Maychack will add to and adjust the piece in response to the plant’s growth over the duration of the exhibition.

In Chad Mitchner’s to-scale installations of interior rooms there is the constant tension between familiar fictions and uncanny spaces. The work is an attempt at reconstructing memories while occluding their existence in the present tense. The resultant spaces are filled with a nostalgic amnesia where even the artist himself becomes a fictitious figure.

Kristine Moran’s hallucinogenic territories are fractured and distorted, yet balanced by the richness in palette, gesture and reference. With witty shifts that collapse time, space and sound, Moran plays up the inherent drama of painting, as passages of excess are contradicted by denial and withholding.

The two-panel print by Benjamin Tiven selects a passage from Theodore Adorno’s Minima Moralia and pairs it with the translation by a German immigrant living in the U.S. since 1943, roughly when the Adorno text was written. Both texts are designed according to the aesthetic principles of the German book designer Jan Tschichold, who turned to a humanist classicism after rejecting his pre-war commitments to radical, Bauhaus-inflected modernism.

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MISC Video and Performance features a variety of emerging, mid-career and established artists working in diverse genres ranging from video, animation, live performance, audio or video installation. Video loops and installations will be acceessable during gallery hours, while performances are scheduled. click here for the application. ARTIST OPEN CALL DEADLINE: FEBRUARY 15

About NY Studio Gallery
NY Studio Gallery combines exhibition and workspace to create an atmosphere of interaction, collaboration and integration of media, styles and artistic genres for US and international artists.

NY Studio Gallery
154 Stanton Street @ Suffolk, New York, NY 10002
info@nystudiogallery.com l 212.627.3276l www.nystudiogallery.com
Thursday – Saturday 12 - 6pm or by appointment

For more info on me visit my official website
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February 16, 2010

HOUSE OF MAYHEM A reading of a screenplay by David Pumo

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Full Circle Films presents
HOUSE OF MAYHEM
A reading of a screenplay by David Pumo

Starring:
Moe Bertran, Ivan Davila, Mark Finley,
Jason Luna Flores, Isaac Calpito & Andre Darnel Myers

With:
Randy Aaron, Jennifer Gelfer, Kate Hodge,
Patricia Janvier, Brian Patacca & Minerva Vier

Wednesday, February 24, 2010 @ 6:30pm
at
the Leslie/Lohman Gallery
(address below)

HOUSE OF MAYHEM, written by David Pumo, based on his award-wining play. It's a sexy, street-smart comedy set in New York City about an alternative family with its own set of values. When fashion photographer Felony Mayhem comes face to face with Dennis, the sixteen-year-old hustler who mugged him a few days ago, he plots his revenge. But Felony soon discovers this tough street kid was thrown out by his God-fearing mother for being gay. When he decides to take the boy into their Brooklyn home, despite the objections of his blue-collar husband, Bobo, and child-hating best friend, drag diva Chile...it's mayhem! Soon two more kids join the makeshift family: Ivan, a street activist, dancer and rapper; and Epiphany, a fierce, barely-teenage tranny. Chile's already been thrown out of the TV room. Now the living room futon is occupied too. Can Dennis get a real job and escape from his past? Can Ivan get Chile to put him in his act? Can Epiphany keep from getting arrested...again? Can Chile find a place to sleep in peace? Are Felony and Bobo really ready to be...parents? HOUSE OF MAYHEM - It's a family affair!

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